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Table of Contents
Introduction: ands turn comparative turn trans-
Recovery/interpretation. "Being" indigenous "now": resettling "the Indian today" within and beyond the U.S. 1960s
Unsettling the Spirit of '76: American Indians anticipate the U.S. Bicentennial
Interpretation/recovery. Pictographic, woven, carved: engaging N. Scott Momaday's "Carnegie, Oklahoma, 1919" through multiple indigenous aesthetics
Indigenous languaging: empathy and translation across alphabetic, aural, and visual texts
Siting earthworks, navigating waka: patterns of indigenous settlement in Allison Hedge Coke's Blood run and Robert Sullivan's Star waka.
Recovery/interpretation. "Being" indigenous "now": resettling "the Indian today" within and beyond the U.S. 1960s
Unsettling the Spirit of '76: American Indians anticipate the U.S. Bicentennial
Interpretation/recovery. Pictographic, woven, carved: engaging N. Scott Momaday's "Carnegie, Oklahoma, 1919" through multiple indigenous aesthetics
Indigenous languaging: empathy and translation across alphabetic, aural, and visual texts
Siting earthworks, navigating waka: patterns of indigenous settlement in Allison Hedge Coke's Blood run and Robert Sullivan's Star waka.