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The era of the new Negro: African American politics and aesthetics in twentieth century Harlem
African American aesthetics and the city: picturing the Black bourgeoisie in New York
Heaven and hell in Harlem: urban aesthetics for a renaissance people
Delinquents in the making: Harlem's representational turn toward "marketable shock"
Gangster's paradise: drugs and crime in Harlem, from Blaxploitation to New Jack cinema
Echoes of a renaissance: Harlem's nostalgic turn
Conclusion: making and re-making a promised land: Harlem's continuing revisions.

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