000691346 000__ 01415cam\a2200325\a\4500 000691346 001__ 691346 000691346 005__ 20210515093016.0 000691346 006__ m\\\\\o\\d\\\\\\\\ 000691346 007__ cr\cn||||||||| 000691346 008__ 130222s2013\\\\mnua\\\\ob\\\\001\0\eng\d 000691346 010__ $$z 2012050731 000691346 020__ $$z9780816681099 (hbk. : acid-free paper) 000691346 020__ $$z9780816681105 (pb) 000691346 020__ $$z9781452939650 $$qelectronic book 000691346 035__ $$a(CaPaEBR)ebr10753699 000691346 035__ $$a(OCoLC)859390438 000691346 040__ $$aCaPaEBR$$cCaPaEBR 000691346 05014 $$aPN1995$$b.T6145 2013eb 000691346 08204 $$a791.4301$$223 000691346 1001_ $$aTorlasco, Domietta,$$d1968- 000691346 24514 $$aThe heretical archive$$h[electronic resource] :$$bdigital memory at the end of film /$$cDomietta Torlasco. 000691346 260__ $$aMinneapolis ;$$aLondon :$$bUniversity of Minnesota Press,$$c2013. 000691346 300__ $$a1 v. (various pagings) :$$bill. 000691346 504__ $$aIncludes bibliographical references and index. 000691346 5050_ $$aIntroduction -- Against house arrest -- Digital impressions: writing memory after Agnès Varda -- Folding time: toward a new theory of montage -- Archiving disappearance: from Michelangelo Antonioni to new media. 000691346 506__ $$aAccess limited to authorized users. 000691346 650_0 $$aMotion pictures$$xPhilosophy. 000691346 852__ $$bebk 000691346 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10753699$$zOnline Access 000691346 909CO $$ooai:library.usi.edu:691346$$pGLOBAL_SET 000691346 980__ $$aEBOOK 000691346 980__ $$aBIB 000691346 982__ $$aEbook 000691346 983__ $$aOnline