Introduction
Poets on film. "Besides, there's no such thing as poets anymore": poetic relevance in Neil LaBute's Possession / by Susan Redington Bobby
Rudolph's Mrs. Parker and the vicious circle: film form and Parker's poetic legacy / by Carolyn Kelley
"A thing of beauty": art, commerce, and poetry in cinema in Bright star and Love and death on Long Island / by Ellen Moll
This aura sucks: narrative cinema and popular poetry criticism in So I married an axe murderer / by Liz Faber
Star/poet/director: poetry and image in Guru Dutt's Pyaasa / by Carrie Messenger
Chicken poets and rough poetry: figuring the poet and his subject(s) in independent Chinese cinema / by Qi Wang
Poetry as film. "Some are born to endless night": the Blakean vision of Jim Jarmusch's Dead man / by Hugh Davis
Into the woods: William Shakespeare's A midsummer night's dream and Peter Weir's Dead poets society / by Nichole DeWall
"Whither is fled the visionary gleam?": Wordsworth and consumption in Splendor in the grass / by Marlisa Santos
Film as poetry. "Qualcosa di concreto": mimetic fiction and spectrality in Pier Paolo Pasolini's Cinema of poetry / by Roberto Cavallini
Terrence Malick's intimations of immortality: The tree of life as cinematic ode / by Suzanne Ferriss
A step away from the cinema: Hollywood and the poetry of Frank O'Hara / by Walter Metz
Poetic dialogue-lyrical speech in the work of Hal Hartley and Jim Jarmusch / by Jennifer O'Meara
The written verse in cinematic verse: Eliseo Subiela's El lado oscuro del corazón as a metapoetic text / by Juan G. Ramos.