TY - BOOK N2 - In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields. AB - In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields. T1 - Inventing Abstraction, 1910-1925 :how a radical idea changed modern art / DA - ©2012. CY - New York : AU - Dickerman, Leah, AU - Affron, Matthew, CN - N6494.A2 CN - N6494.A2 PB - Museum of Modern Art : PB - Distributed in the United States and Canada by Artbook/D.A.P., PP - New York : PY - ©2012. N1 - "Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--Page 375. N1 - "Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--Page 375. ID - 694386 KW - Art, Abstract KW - Art, Modern SN - 9780870708282 SN - 0870708287 SN - 9780500239025 SN - 0500239029 TI - Inventing Abstraction, 1910-1925 :how a radical idea changed modern art / ER -