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I. Full Encounters of the close kind. Really reading a Hemingway story : the example of "Indian camp"
II. How craft readings contribute to understanding stories. Dueling wounds in "Soldier's home" : the relation of textual form, narrative argument, and cultural critique ; The "pointless" story : what is "A canary for one?"
III. Metacritical and metafictional Hemingway. Hemingway on (Mis)reading stories : "God rest you merry, gentlemen" as metacriticism ; Hemingway on (mis)writing stories : "Big two-hearted river" as metafiction.

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