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The interrelation of phenomenology, social sciences and the arts [electronic resource] / Michael Barber, Jochen Dreher, editors.

Barber, Michael D., 1949-, editor of compilation.; Dreher, Jochen, editor of compilation.
2014
B829.5
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Title
The interrelation of phenomenology, social sciences and the arts [electronic resource] / Michael Barber, Jochen Dreher, editors.
ISBN
9783319013909 electronic book
3319013904 electronic book
9783319013893
DOI
https://doi.org/10.1007/978-3-319-01390-9
Published
Cham : Springer, 2014.
Language
English
Description
1 online resource (vii, 331 pages) : illustrations.
Item Number
10.1007/978-3-319-01390-9 doi
Call Number
B829.5
Dewey Decimal Classification
142/.7
Summary
This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor artist or interpreter and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.
Note
Includes indexes.
Access Note
Access limited to authorized users.
Source of Description
Description based on online resource; title from PDF title page (SpringerLink, viewed November 11, 2013).
Added Author
Barber, Michael D., 1949-, editor of compilation.
Dreher, Jochen, editor of compilation.
Series
Contributions to phenomenology ; v.69. 0923-9545
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Introduction
Aesthetics and the Social Sciences
Irrelevant Spheres and Vacancies of Artworks; Masato Kimura
Cultural Science in Literary Light; Lester Embree
Projection, Imagination, and Novelty: Toward a Theory of Creative Action Based in Schutz; Hubert Knoblauch
Imagination and the Social Sciences; Hisashi Nasu
Functional Purposelessness: The 'Practical Meaning' of Aesthetics; Hans-Georg Soeffner
Art as a Paradoxical Form of Communication; Ilja Srubar
When Sociology Meets the Work of Art: Analytical and Frameworks to Study Artistic Production and Reception; Anna Lisa Tota
Literature
Crossing the Finite Provinces of Meaning: Experience and Metaphorizing of Literature and Arts; Gerd Sebald
Sancho Panza and Don Quijote: The Documentary and the Phenomenological Method of Analyzing Art Works; Amalia Barboza
Literature as Societal Therapy: Appresentation, Epoché, and Beloved; Michael Barber
The Man without Qualities and the Problem of Multiple Realities-Alfred Schutz and Robert Musil Revisited; Martin Endress
Entangled into Histories or the Narrative Grounds of Multiple Realities; Annette Hilt
The Universe that Others Call the Library: Reconstructing the Symbolic Mystifications of the World of Everyday Life; Jochen Dreher
Music
The Tuning-in Relationship: from a Social Theory of Music towards a Philosophical Understanding of Intersubjectivity; Carlos Belvedere
Mutual Tuning-In Relationship and Phenomenological Psychology; Chung-Chi Yu
Music, Meaning, and Sociality: From the Standpoint of a Social Phenomenologist; Andreas Göttlich
Artistic Practice, Methodology and Subjectivity: The "I Can" As Practical Possibility and Original Consciousness; Andreas Georg Stascheit
Musical Foundation of Interaction. Music as Intermediary Medium; Mototaka Mori
Film and Photography
Interpreting Film: The Case of Casablanca; George Psathas
A Phenomenological Inquiry of Rashomon; Ken'ichi Kawano
The Art of Making Photos: Some Phenomenological Reflections; Thomas S. Eberle.

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