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000702441 010__ $$z  2012032541
000702441 020__ $$z9780821420195 (hardback)
000702441 020__ $$z9780821444375  $$qelectronic book
000702441 035__ $$a(CaPaEBR)ebr10651478
000702441 035__ $$a(OCoLC)827842016
000702441 040__ $$aCaPaEBR$$cCaPaEBR
000702441 0411_ $$aeng$$hfre
000702441 05014 $$aBH172$$b.B8313 2013eb
000702441 08204 $$a709.03/201$$223
000702441 1001_ $$aBuci-Glucksmann, Christine.
000702441 24010 $$aFolie du voir.$$lEnglish
000702441 24514 $$aThe madness of vision$$h[electronic resource] :$$bon baroque aesthetics /$$cChristine Buci-Glucksmann ; translated by Dorothy Z. Baker.
000702441 260__ $$aAthens, Ohio :$$bOhio University Press,$$c2013.
000702441 300__ $$axxii, 172 p. :$$bill.
000702441 4901_ $$aSeries in continental thought ;$$vno. 44
000702441 504__ $$aIncludes bibliographical references and index.
000702441 506__ $$aAccess limited to authorized users.
000702441 520__ $$a"Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"--$$cProvided by publisher.
000702441 650_0 $$aAesthetics, Modern$$y17th century.
000702441 7001_ $$aBaker, Dorothy Zayatz.
000702441 7650_ $$aBuci-Glucksmann, Christine$$tFolie du voir$$dParis : Galilée, c1986.$$h250 p. : ill. ; 20 cm.$$kDébats$$w(DLC) 87108333
000702441 830_0 $$aSeries in Continental thought ;$$v44.
000702441 852__ $$bebk
000702441 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10651478$$zOnline Access
000702441 909CO $$ooai:library.usi.edu:702441$$pGLOBAL_SET
000702441 980__ $$aEBOOK
000702441 980__ $$aBIB
000702441 982__ $$aEbook
000702441 983__ $$aOnline