Buried in shades of night : contested voices, Indian captivity, and the legacy of King Philip's War / Billy J. Stratton ; foreword by Frances Washburn ; afterword by George E. Tinker.
2013
E87.R8 S77 2013eb
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Title
Buried in shades of night : contested voices, Indian captivity, and the legacy of King Philip's War / Billy J. Stratton ; foreword by Frances Washburn ; afterword by George E. Tinker.
Author
Stratton, Billy J., 1970-
ISBN
9780816599035 (electronic book)
9780816530281
9780816530281
Publication Details
Tucson : University of Arizona Press, 2013.
Language
English
Description
1 online resource (xvi, 203 pages)
Call Number
E87.R8 S77 2013eb
Dewey Decimal Classification
973.2/4
Summary
"Billy J. Stratton's critical examination of Mary Rowlandson's 1682 publication, The Soveraignty and Goodness of God, reconsiders the role of the captivity narrative in American literary history and national identity. With pivotal new research into Puritan minister Increase Mather's influence on the narrative, Stratton calls for a reconsideration of past scholarly work on the genre"--Provided by publisher.
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Description based on print version record.
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Buried in shades of night.
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Table of Contents
"Like a company of sheep torn by wolves" : transatlantic influences on the development of the Indian captivity narrative
Exile, deterritorialization, and intertextuality : the cartographic impulse of Puritan historiography
"And I only am escaped to tell the news" : witnessing history in the true narrative of Mary Rowlandson's captivity
Fractured histories, captive subjects : the masque of textual effacement
Representing the native in the twenty-first century : "a strange fish" still?
Exile, deterritorialization, and intertextuality : the cartographic impulse of Puritan historiography
"And I only am escaped to tell the news" : witnessing history in the true narrative of Mary Rowlandson's captivity
Fractured histories, captive subjects : the masque of textual effacement
Representing the native in the twenty-first century : "a strange fish" still?