000711030 000__ 02693cam\a22003734a\4500 000711030 001__ 711030 000711030 005__ 20210515100913.0 000711030 008__ 010806s2002\\\\nyua\\\\\b\\\\001\0\eng\\ 000711030 010__ $$a 2001043355 000711030 019__ $$a50054183$$a50876716 000711030 020__ $$a9780521813211$$qhardcover 000711030 020__ $$a0521813212$$qhardcover 000711030 035__ $$a(OCoLC)ocm47755835 000711030 035__ $$a711030 000711030 040__ $$aDLC$$beng$$cDLC$$dUKM$$dC#P$$dCOO$$dLVB$$dBAKER$$dNLGGC$$dBTCTA$$dYDXCP$$dUQ1$$dOCLCG$$dEMC$$dOCLCQ$$dDEBBG$$dOCLCQ$$dIG#$$dBDX$$dPSM$$dMUU$$dOCLCO$$dOCLCQ$$dOCLCA$$dOCLCF 000711030 042__ $$apcc 000711030 043__ $$ae-it--- 000711030 049__ $$aISEA 000711030 05000 $$aNB623.C28$$bC65 2002 000711030 08200 $$a730/.92$$221 000711030 1001_ $$aCole, Michael Wayne,$$d1969- 000711030 24510 $$aCellini and the principles of sculpture /$$cMichael W. Cole. 000711030 260__ $$aNew York :$$bCambridge University Press,$$cc2002. 000711030 300__ $$axiv, 246 p. :$$bill. ;$$c26 cm. 000711030 504__ $$aIncludes bibliographical references (p. 168-239) and index. 000711030 5050_ $$a1. Salt, composition, and the goldsmith's intelligence -- 2. Casting, blood and bronze -- 3. The Ars Apollinea and the mastery of marble -- 4. The design of virtue. 000711030 5201_ $$a"Benvenuto Cellini is an incomparable source on the nature of art-making in sixteenth-century Italy. A leading artist who worked in gold, bronze, marble, and on paper, he was also the author of treatises, discourses, poems, and letters about his own work and the works of his contemporaries. Collectively, these works show Cellini to be an authority on the reigning ideas about the virtues and properties of artists' materials, and a vivid witness to the poetically charged processes involved in transforming these materials into meaningful forms. In this study, Michael Cole looks at the media in which Cellini worked and at the perspective his art and writings offer on these. Examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, he situates Cellini's views in the context of the history of art, science, poetics, and ethics. Cole demonstrates Cellini's continuing relevance to the broader study of artistic theory and practice in his time."--Jacket. 000711030 60010 $$aCellini, Benvenuto,$$d1500-1571$$xCriticism and interpretation. 000711030 650_0 $$aSculpture, Italian$$y16th century. 000711030 650_0 $$aSculpture, Renaissance$$zItaly. 000711030 85200 $$bgen$$hNB623.C28$$iC65$$i2002 000711030 8564_ $$uhttp://bvbm1.bib-bvb.de/webclient/DeliveryManager?pid=211456&custom_att_2=simple_viewer$$zRezension 000711030 85641 $$3Sample text$$uhttp://catdir.loc.gov/catdir/samples/cam033/2001043355.html 000711030 85641 $$3Table of contents$$uhttp://catdir.loc.gov/catdir/toc/cam025/2001043355.html 000711030 85642 $$3Publisher description$$uhttp://catdir.loc.gov/catdir/description/cam022/2001043355.html 000711030 909CO $$ooai:library.usi.edu:711030$$pGLOBAL_SET 000711030 980__ $$aBIB 000711030 980__ $$aBOOK