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000711656 05000 $$aTR895$$b.M44 2012
000711656 08200 $$a777$$223
000711656 1001_ $$aMedoff, Norman J.
000711656 24510 $$aPortable video :$$bnews and field production /$$cNorman J. Medoff and Edward J. Fink.
000711656 250__ $$a6th ed.
000711656 260__ $$aWaltham, MA :$$bFocal Press,$$c©2012.
000711656 300__ $$avii, 392 pages :$$billustrations ;$$c28 cm
000711656 336__ $$atext$$btxt$$2rdacontent
000711656 337__ $$aunmediated$$bn$$2rdamedia
000711656 338__ $$avolume$$bnc$$2rdacarrier
000711656 500__ $$aRevised edition of: Portable video / Norman J. Medoff, Edward J. Fink, Tom Tanquary. 2007.
000711656 504__ $$aIncludes bibliographical references and index.
000711656 5050_ $$aAcknowledgments -- Part 1:  Shooting Video On Location: -- Introduction: -- ENG and EFP:  the world of professional video -- Electronic field production:  video production on location -- Knowing the basics -- Summary -- Electronic news gathering: -- Visual journalists -- Part One:  Recorded coverage -- Spot news -- Summary -- Part Two:  Live coverage -- Getting the picture out -- Communications -- Summary -- Electronic field production -- Corporate and professional videos -- Entertainment -- Commercials and public service announcements -- Performance videos -- Sports videos -- Music videos -- Nature and documentary videos -- Video art -- Multimedia -- Internet -- Mobile TV -- Summary -- Part 2:  Process: -- Framing and composition: -- Identifying the story line -- Part One:  Framing:  the range of shots -- Shots by perspective -- Camera movement shots -- Special-use shots -- Part Two:  Composition:  aesthetic considerations -- Creating the third dimension -- Effects of focal length -- Distance -- Balancing the picture -- Composing specific shots -- Following the action -- Breaking the rules -- Summary -- Scriptwriting: -- Electronic news gathering -- Electronic field production -- Summary -- Preproduction and production: -- Part One:  Preproduction -- Electronic news gathering -- Electronic field production -- Production crew -- Scheduling and coordinating -- Location selection and survey -- Graphics and props preparation -- Clearance on copyright materials -- Travel planning -- Part Two:  Production:  shooting on location -- ENG versus EFP -- Setting up -- Sound and light -- Location integrity -- Maintaining control -- Backup plans -- Security -- Dealing with the public -- Checklists -- Recording -- Rehearsing -- Shooting (and reshooting) -- Wrapping up -- Summary -- Postproduction and distribution: -- Editing process -- Technical concepts -- Creative editing concepts -- Summary -- Part 3:  Tools: -- Video: -- Light, lenses, cameras, and recorders -- Principles of lens operation -- Video cameras -- Camera functions -- Video recorders -- Format wars -- Batteries -- Tripods and camera-mounting devices -- Summary -- Audio: -- Microphone structure -- Microphones and audio-recording techniques -- Sensitivity -- Frequency response -- Impedance -- Other factors -- Selection and placement -- Style -- Special applications -- Accessories -- Audio cables and connectors -- Monitoring, mic preamplifiers, mixing, and stereo -- Summary -- Light:  understanding and controlling it: -- Part One:  Physical properties of light -- What is light -- Color of light -- Direction and size of a light source -- Quantity of light -- Part Two:  Creating light -- Light emitters -- Lighting equipment -- Part Three:  Basic lighting technique -- Starting point:  exposure -- Art of casting shadows -- Basic theory -- Formal lighting -- Natural lighting -- Light as an editorial tool -- Summary -- Part 4:  Business Of Video: -- Budgeting and pricing: -- ENG and EFP -- Creating an accurate budget -- Budget tracking -- Entry into the video marketplace -- Summary -- Laws, ethics, copyright, and insurance: -- Laws -- Ethics -- Copyright -- Insurance -- Summary -- Appendix 1;  Screenplay format -- Appendix 2:  Two-column, audiovisual, split-page format -- Appendix 3:  Storyboards -- Bibliography -- Glossary -- Index.
000711656 520__ $$aOverview:  Portable Video presents students with the techniques and technology of single camera electronic news gathering and electronic field production.  Covering everything from creative and technical recording and editing techniques to budgets and copyright issues, this book shows best practices in shooting news, and narrative production, developing the story, writing the script, current methods to capturing audio and video, working with light, and more.  Updates feature the latest advances in techniques and equipment.  New coverage includes digital workflow techniques, digital cameras (including DSLRs), lighting, audio, and mobile.  Features information on:  News gathering; Field Production; Scriptwriting and storyboards; Preproduction, production, postproduction; Budgeting and pricing; Framing and composition; Capturing Audio; Ethics and legal considerations.
000711656 650_0 $$aVideo recording.
000711656 650_0 $$aVideo recordings$$xProduction and direction.
000711656 650_0 $$aTelevision cameras.
000711656 650_0 $$aTelevision broadcasting of news.
000711656 7001_ $$aFink, Edward J.$$q(Edward John)
000711656 85200 $$bgen$$hTR895$$i.M44$$i2012
000711656 909CO $$ooai:library.usi.edu:711656$$pGLOBAL_SET
000711656 980__ $$aBIB
000711656 980__ $$aBOOK