000712166 000__ 04826cam\a22003614a\4500
000712166 001__ 712166
000712166 005__ 20210515101235.0
000712166 008__ 030807s2003\\\\mnua\\\\\c\\\\001\0\eng\\
000712166 010__ $$a  2003017642
000712166 020__ $$a9780935640762$$qhardcover$$qalkaline paper
000712166 020__ $$a0935640762$$qhardcover$$qalkaline paper
000712166 035__ $$a(OCoLC)ocm52860049
000712166 035__ $$a712166
000712166 040__ $$aDLC$$beng$$cDLC$$dBAKER$$dNLGGC$$dBTCTA$$dLVB$$dYDXCP$$dUQ1$$dIG#$$dUBC$$dHEBIS$$dHALAN$$dKIJ$$dUKMGB$$dBDX$$dOCLCF
000712166 042__ $$apcc
000712166 049__ $$aISEA
000712166 05000 $$aTR645.M542$$bW354 2003
000712166 08200 $$a770$$222
000712166 1001_ $$aFogle, Douglas,$$d1964-
000712166 24514 $$aThe last picture show :$$bartists using photography, 1960-1982 /$$cDouglas Fogle.
000712166 250__ $$a1st ed.
000712166 260__ $$aMinneapolis :$$bWalker Art Center,$$cc2003.
000712166 300__ $$a335 p. :$$bill. (some col.) ;$$c26 cm.
000712166 500__ $$aCatalogue of an exhibition held at the Walker Art Center Minneapolis, Minn., Oct. 2003-Jan. 2004; UCLA Hammer Museum Los Angeles, Calif.,  Feb.-May, 2004.
000712166 500__ $$aIncludes index.
000712166 504__ $$aIncludes bibliographical references and index.
000712166 50500 $$tThe Last Picture Show /$$rDouglas Fogle$$g9 --$$tArtists and Photographs /$$rLawrence Alloway$$g20 --$$t"I'm Not Really a Photographer" /$$rA.D. Coleman$$g22 --$$tThe Anti-Photographers /$$rNancy Foote$$g24 --$$t"Marks of Indifference": Aspects of Photography in, or as, Conceptual Art /$$rJeff Wall$$g32 --$$tVito Acconci$$g45 --$$tBas Jan Ader$$g47 --$$tGiovanni Anselmo$$g50 --$$tEleanor Antin$$g52 --$$tJohn Baldessari$$g54 --$$tBernd and Hilla Becher$$g58 --$$tJoseph Beuys$$g61 --$$tMel Bochner$$g64 --$$tChristian Boltanski$$g67 --$$tMarcel Broodthaers$$g70 --$$tVictor Burgin$$g72 --$$tSarah Charlesworth$$g74 --$$tBruce Conner$$g78 --$$tJan Dibbets$$g80 --$$tValie Export$$g82 --$$tAlternative Pictures: Conceptual Art and the Artistic Emancipation of Photography in Europe /$$rStefan Gronert$$g86 --$$tPhotographs of Motion /$$rDan Graham$$g97 --$$tThe Weight of Time /$$rJames Lingwood$$g99 --$$tArt through the Camera's Eye /$$rRobert Smithson$$g105 --$$tMisunderstandings (A Theory of Photography) /$$rMel Bochner$$g107 --$$tThe Adventures of the Picture Form in the History of Photography /$$rJean-Francois Chevrier$$g113 --$$tHans-Peter Feldmann$$g129 --$$tPeter Fischli and David Weiss$$g131 --$$tGilbert & George$$g136 --$$tDan Graham$$g138 --$$tHans Haacke$$g143 --$$tDouglas Huebler$$g146 --$$tYves Klein$$g148 --$$tImi Knoebel$$g149 --$$tSilvia Kolbowski$$g153 --$$tJeff Koons$$g155 --$$tBarbara Kruger$$g156 --$$tDavid Lamelas$$g158 --$$tLouise Lawler$$g160 --$$tSherrie Levine$$g163 --$$tSol LeWitt$$g168 --$$tRichard Long$$g174 --$$tCancellation /$$rGeoffrey Batchen$$g177 --$$tNotes on My Photographs, 1969-1970 /$$rVito Acconci$$g183 --$$tNotebook Excerpts, 1969 /$$rVito Acconci$$g184 --$$tThe Austerlitz Effect: Architecture, Time, Photoconceptualism /$$rPamela M. Lee$$g185 --$$tMy Files of Movie Stills /$$rJohn Baldessari$$g195 --$$tDisposable Matter: Photoconceptual Magazine Work of the 1960s /$$rMelanie Marino$$g196 --$$tThe Photographic Activity of Postmodernism /$$rDouglas Crimp$$g204 --$$tGordon Matta-Clark$$g208 --$$tAna Mendieta$$g211 --$$tMario Merz$$g212 --$$tNasreen Mohamedi$$g214 --$$tBruce Nauman$$g218 --$$tHelio Oiticica and Neville d'Almeida$$g226 --$$tDennis Oppenheim$$g228 --$$tGiulio Paolini$$g230 --$$tGiuseppe Penone$$g232 --$$tAdrian Piper$$g234 --$$tSigmar Polke$$g238 --$$tRichard Prince$$g240 --$$tStatement /$$rSherrie Levine$$g244 --$$tIncorrect /$$rBarbara Kruger$$g245 --$$tThe 8-Track Photograph /$$rRichard Prince$$g246 --$$tThe Velvet Well /$$rRichard Prince$$g248 --$$tWithout Walls /$$rMolly Nesbit$$g249 --$$tGlossolalia /$$rSarah Charlesworth, Barbara Kruger$$g259 --$$tThe Latest Picture /$$rKate Bush$$g262 --$$tCharles Ray$$g267 --$$tMartha Rosler$$g272 --$$tAllen Ruppersberg$$g274 --$$tEdward Ruscha$$g278 --$$tCindy Sherman$$g284 --$$tLaurie Simmons$$g290 --$$tRobert Smithson$$g294 --$$tGer Van Elk$$g298 --$$tJeff Wall$$g301 --$$tAndy Warhol$$g302 --$$tRobert Watts$$g310 --$$tWilliam Wegman$$g312 --$$tJames Welling$$g317 --$$tHannah Wilke$$g321 --$$tExhibition Checklist$$g322 --$$tLenders to the Exhibition$$g333.
000712166 5201_ $$a"Traversing the fine line between artists who are photographers and artists who use photography, The Last Picture Show traces the development of Conceptual trends in postwar photographic practice from their first glimmerings in the 1960s in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970s and early 1980s, including Silvia Kolbowski, Richard Prince, and Cindy Sherman."--Jacket.
000712166 650_0 $$aPhotography, Artistic$$y20th century$$vExhibitions.
000712166 650_0 $$aArt and photography$$xHistory$$y20th century$$vExhibitions.
000712166 7102_ $$aWalker Art Center.
000712166 7102_ $$aHammer Museum.
000712166 85200 $$bgen$$hTR645.M542$$iW354$$i2003
000712166 85641 $$3Table of contents$$uhttp://catdir.loc.gov/catdir/toc/ecip047/2003017642.html
000712166 909CO $$ooai:library.usi.edu:712166$$pGLOBAL_SET
000712166 980__ $$aBIB
000712166 980__ $$aBOOK