000712191 000__ 03204cam\a22003731a\4500 000712191 001__ 712191 000712191 005__ 20210515101240.0 000712191 008__ 100504s2010\\\\nyua\\\\\bc\\\001\0\eng\\ 000712191 010__ $$a 2010922102 000712191 020__ $$a9780870707575$$qhardcover 000712191 020__ $$a0870707574$$qhardcover 000712191 035__ $$a(OCoLC)ocn587110550 000712191 035__ $$a712191 000712191 040__ $$aUKM$$beng$$cUKM$$dBTCTA$$dYDXCP$$dMOF$$dGZM$$dC#P$$dOSU$$dBWX$$dCRU$$dVRC$$dERASA$$dCDX$$dYBM$$dLML$$dUBY$$dSHH$$dUKMGB$$dBDX$$dDLC$$dOCLCA$$dOCLCF$$dOCLCA$$dCHVBK$$dOCLCO$$dOCLCQ 000712191 042__ $$aukblcatcopy 000712191 049__ $$aISEA 000712191 050_4 $$aTR658.3$$b.M37 2010 000712191 08204 $$a779.973$$222 000712191 1001_ $$aMarcoci, Roxana. 000712191 24514 $$aThe original copy :$$bphotography of sculpture, 1839 to today /$$cRoxana Marcoci ; with essays by Geoffrey Batchen and Tobia Bezzola. 000712191 260__ $$aNew York :$$bMuseum of Modern Art :$$bDistributed in the U.S. and Canada by D.A.P./Distributed Art Publishers,$$c©2010. 000712191 300__ $$a256 pages :$$bchiefly illustrations (some color) ;$$c32 cm 000712191 336__ $$atext$$btxt$$2rdacontent 000712191 337__ $$aunmediated$$bn$$2rdamedia 000712191 338__ $$avolume$$bnc$$2rdacarrier 000712191 500__ $$aPublished in conjunction with the exhibition held at the Museum of Modern Art, New York, Aug. 1-Nov. 1, 2010 and the Kunsthaus, Zürich, Feb. 25-May 15, 2011. 000712191 504__ $$aIncludes bibliographical references (pages 242-247) and index. 000712191 5050_ $$aThe original copy: photography of sculpture, 1839 to today / Roxana Marcoci -- An almost unlimited variety: photography and sculpture in the nineteenth century / Geoffrey Batchen -- From sculpture in photography to photography as plastic art / Tobia Bezzola -- Plates, with introductions / Roxana Marcoci -- I. Sculpture in the age of photography -- II. Eugène Atget: the marvelous in the everyday -- III. Auguste Rodin: The sculptor and the photographic enterprise -- IV. Constantin Brancusi: The studio as Groupe Mobile and the Photos Radieuses -- V. Marcel Duchamp's Box in a valise: the readymade as reproduction -- VI. Cultural and political icons -- VII. The studio without walls: sculpture in the expanded field -- VIII. Daguerre's soup: what is sculpture? -- IX. The pygmalion complex: animate and inanimate figures -- X. The performing body as sculptural object. 000712191 520__ $$a"The exhibition and book were conceived by Roxana Marcoci ... who organized them around distinct conceptual ideas. Examining the rich historical legacy of photography, and the aesthetic shifts that have taken place in the medium over the last 170 years, she also built on extensive conversations and collaborations with living artists to explore its uses within contemporary art practice. At the same time she asked the question, 'What is sculpture?, ' tracing it through a selection of 300 outstanding pictures that tap on a broad spectrum of expressions, ranging in subject from inanimate objects to the performing human body. The Original Copy incorporates impressive groups of works by many key figures of modernist and avant-garde art"--Page 7. 000712191 650_0 $$aPhotography of sculpture$$vExhibitions. 000712191 7001_ $$aBatchen, Geoffrey. 000712191 7001_ $$aBezzola, Tobia. 000712191 7102_ $$aMuseum of Modern Art (New York, N.Y.) 000712191 7102_ $$aKunsthaus Zürich. 000712191 85200 $$bgen$$hTR658.3$$i.M37$$i2010 000712191 909CO $$ooai:library.usi.edu:712191$$pGLOBAL_SET 000712191 980__ $$aBIB 000712191 980__ $$aBOOK