000712214 000__ 02491cam\a2200373\i\4500 000712214 001__ 712214 000712214 005__ 20210515101244.0 000712214 008__ 120628s2013\\\\cau\\\\\\b\\\s001\0\eng\\ 000712214 010__ $$a 2012025824 000712214 020__ $$a9780520245419$$qhardcover 000712214 020__ $$a0520245415$$qhardcover 000712214 035__ $$a(OCoLC)ocn788263924 000712214 035__ $$a712214 000712214 040__ $$aDLC$$beng$$erda$$cDLC$$dYDX$$dBTCTA$$dBDX$$dERASA$$dOCLCO$$dUKMGB$$dYDXCP$$dBWX$$dCOO$$dCHVBK$$dSTF$$dUPM$$dBUF$$dOCLCQ$$dOCLCF$$dNYWWB$$dOCLCQ 000712214 0411_ $$aeng$$hger 000712214 042__ $$apcc 000712214 049__ $$aISEA 000712214 05000 $$aN6537.K27$$bU7713 2013 000712214 08200 $$a709.2/2$$223 000712214 1001_ $$aUrsprung, Philip. 000712214 24010 $$aGrenzen der Kunst.$$lEnglish 000712214 24510 $$aAllan Kaprow, Robert Smithson, and the limits to art /$$cby Philip Ursprung ; translated by Fiona Elliott. 000712214 260__ $$aBerkeley, California :$$bUniversity of California Press,$$c[2013] 000712214 300__ $$axiii, 324 pages ;$$c24 cm 000712214 336__ $$atext$$btxt$$2rdacontent 000712214 337__ $$aunmediated$$bn$$2rdamedia 000712214 338__ $$avolume$$bnc$$2rdacarrier 000712214 504__ $$aIncludes bibliographical references (pages 281-307) and index. 000712214 5050_ $$aMachine generated contents note: Allan Kaprow And The Limits To Painting -- "Oedipal-just for fun": Allan Kaprow and Art History -- The Happeners' Bodies -- The Triumph of Pop Art -- Performing Architecture -- The Limits To Sculpture: Robert Smithson And Earth Art -- The Excursions: Critiquing Minimalism -- The Triumph of Minimal Art -- Site and Nonsite -- Earthworks -- The Limits To Art History. 000712214 520__ $$a"This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits"--$$cProvided by publisher. 000712214 546__ $$aTranslated from the German. 000712214 60010 $$aKaprow, Allan$$xCriticism and interpretation. 000712214 60010 $$aSmithson, Robert$$xCriticism and interpretation. 000712214 650_0 $$aArt movements$$xHistory$$y20th century. 000712214 85200 $$bgen$$hN6537.K27$$iU7713$$i2013 000712214 909CO $$ooai:library.usi.edu:712214$$pGLOBAL_SET 000712214 980__ $$aBIB 000712214 980__ $$aBOOK