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000712215 019__ $$a859385377$$a860807086
000712215 020__ $$a9781780230368$$qhardcover
000712215 020__ $$a1780230362$$qhardcover
000712215 035__ $$a(OCoLC)ocn788268336
000712215 035__ $$a712215
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000712215 050_4 $$aN6789$$b.B37 2013
000712215 08204 $$a709.4150904
000712215 1001_ $$aBarber, Fionna,$$d1957-$$eauthor.
000712215 24510 $$aArt in Ireland since 1910 /$$cFionna Barber.
000712215 264_1 $$aLondon :$$bReaktion Books,$$c2013.
000712215 300__ $$a318 pages :$$billlustrations (chiefly color) ;$$c26 cm
000712215 336__ $$atext$$btxt$$2rdacontent
000712215 337__ $$aunmediated$$bn$$2rdamedia
000712215 338__ $$avolume$$bnc$$2rdacarrier
000712215 504__ $$aIncludes bibliographical references (pages 296-304) and index.
000712215 50500 $$gIntroduction :$$tThe Ghost ship, nation and modernity --$$tEthnicity, revolution and the modern, c. 1910-1918 --$$tModernity and independence --$$tThe West, the South and the North : art in Ireland since the 1930s --$$tWar, its aftermath and the visual, 1939-1947 --$$tThe significance of the overlooked --$$tIrish art and diaspora in the 1950s --$$tModernization and its consequences : the 1960s --$$tThe conflict in the North and Irish art, 1968-1979 --$$tPostmodern and Ireland --$$tThe unravelling nation, 1990-1998 --$$tAfter the end of progress.
000712215 520__ $$a"Art in Ireland since 1910 is the first book to examine Irish art from the early twentieth century to the present day. In this highly illustrated volume Fionna Barber looks at the work of a wide range of artists from Yeats and le Brocquy to Cross and Doherty, many of whom are unfamiliar to audiences outside Ireland. She also casts new light on Francis Bacon and other figures central to British art, assessing the significance of their Irishness to an understanding of their work. From the rugged peasantry of the Gaelic Revival to an increasing diversification of art practice towards the end of the century, Art in Ireland since 1910 tracks the work of artists that emerged and developed within a context of a range of very different social and political forces: not just the conflict in the North, but the emergence of feminism and migration as two of the factors that contributed to the unravelling of entrenched concepts of Irish identity. Barber looks at the theme of diaspora in the work of Irish artists working in Britain during and after the 1950s, investigating issues similar to those facing artists from other former British colonies, from India to the Caribbean. She chronicles a period that culminated with art practice and the sense of Ireland as a nation that would have been unrecognizable to its people a hundred years before. Richly illustrated, Art in Ireland since 1910 is essential reading for anyone interested in modern art, Irish Studies and the history of Ireland in general."--Publisher's website.
000712215 650_0 $$aArt, Irish$$y20th century.
000712215 650_0 $$aArt, Irish$$y21st century.
000712215 650_0 $$aArt and society$$zIreland$$xHistory$$y20th century.
000712215 650_0 $$aArt and society$$zIreland$$xHistory$$y21st century.
000712215 650_0 $$aArt$$xPolitical aspects$$zIreland$$xHistory$$y20th century.
000712215 650_0 $$aArt$$xPolitical aspects$$zIreland$$xHistory$$y21st century.
000712215 650_0 $$aNational characteristics, Irish, in art.
000712215 85200 $$bgen$$hN6789$$i.B37$$i2013
000712215 909CO $$ooai:library.usi.edu:712215$$pGLOBAL_SET
000712215 980__ $$aBIB
000712215 980__ $$aBOOK