000713676 000__ 02313cam\a22003611i\4500 000713676 001__ 713676 000713676 005__ 20210515101540.0 000713676 006__ m\\\\\o\\d\\\\\\\\ 000713676 007__ cr\cn\nnnunnun 000713676 008__ 130416t20132013txu\\\\\ob\\\\001\0\eng\d 000713676 020__ $$a9780292752917$$qelectronic book 000713676 020__ $$z9780292752894$$qhardcover 000713676 035__ $$a(CaPaEBR)ebr10768931 000713676 040__ $$aCaPaEBR$$beng$$erda$$epn$$cCaPaEBR 000713676 05014 $$aPN1998.3.A5255$$bS64 2013eb 000713676 08204 $$a791.4302/33092$$223 000713676 1001_ $$aSperb, Jason,$$d1978- 000713676 24510 $$aBlossoms and blood$$h[electronic resource] :$$bpostmodern media culture and the films of Paul Thomas Anderson /$$cJason Sperb. 000713676 264_1 $$aAustin :$$bUniversity of Texas Press,$$c[2013] 000713676 264_4 $$c©2013 000713676 300__ $$a1 online resource (297 pages) 000713676 336__ $$atext$$2rdacontent 000713676 337__ $$acomputer$$2rdamedia 000713676 338__ $$aonline resource$$2rdacarrier 000713676 504__ $$aIncludes bibliographical references and index. 000713676 5058_ $$aMachine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. 000713676 506__ $$aAccess limited to authorized users. 000713676 588__ $$aDescription based on online resource; title from PDF title page (ebrary, viewed October 11, 2013). 000713676 60010 $$aAnderson, Paul Thomas$$xCriticism and interpretation. 000713676 650_0 $$aMotion picture producers and directors. 000713676 852__ $$bebk 000713676 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10768931$$zOnline Access 000713676 909CO $$ooai:library.usi.edu:713676$$pGLOBAL_SET 000713676 980__ $$aEBOOK 000713676 980__ $$aBIB 000713676 982__ $$aEbook 000713676 983__ $$aOnline