Introduction: "memories of underdevelopment" / Lucy Fischer and Patrice Petro
Part I: Theory and representation
Teaching film auteurs / Timothy Corrigan
Teaching film theory / Edward Branigan
Teaching feminist film theory, or, women and film / Maureen Turim
Teaching African American film: race, politics, and aesthetics / Paula J. Massood
Teaching queer cinema with independent media / Patricia White
Teaching film and disability studies / Raphael Raphael
Part II: Geographies of cinema
Teaching Indian cinema / Neepa Majumdar
Teaching Latin American and Caribbean cinema / Cristina Venegas
Teaching accented cinema as a global cinema / Hamid Naficy
Reconsidering new German cinema / Eric Rentschler
Teaching the ends of Eastern European cinema / Zoran Samardzija
Teaching Japanese cinema / David Desser
Teaching world cinema / Dudley Andrew
Part III: Interdisciplinarities
Literature and film-not literature on film / Garrett Stewart
Teaching cinema across languages / Natasa d'urovicova
Teaching film and trauma / Adam Lowenstein
Teaching film historiography / Mark Lynn Anderson
Teaching film law and policy / Peter Decherney
Part IV: Genre and mode
Teaching film genre(s) / Steven Cohan
Teaching futurist dystopian cinema / E. Ann Kaplan
Teaching the documentary film / Michael Renov
Teaching animation / Mark Langer
Teaching the avant-garde film / Scott Nygren
Part V: Style and craft
Teaching film music / Caryl Flinn
Teaching film sound / James F. Lastra
Teaching film and mise-en-scene / Anne Rutherford
Teaching film through stardom / Adam Knee
Teaching film studies in a production context / Frank P. Tomasulo
Teaching screenwriting as criticism / Tasha Oren
Part VI: Film and media in the digital age
Teaching media specificity in an age of convergence / Anne Friedberg
Teaching film in the age of digital transformation / Wheeler Winston Dixon and Gwendolyn Audrey Foster
Teaching with DVD add-ons / Pat Brereton
Teaching us television in an era of convergence / Tara McPherson
Teaching film and the Internet / Michael Aronson.