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000717329 020__ $$a9781421410234$$q(electronic book)
000717329 020__ $$z9781421410227
000717329 035__ $$a(OCoLC)ocn862958094
000717329 035__ $$a(MiAaPQ)EBC3318775
000717329 035__ $$a(CaPaEBR)ebr10790491
000717329 035__ $$a717329
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000717329 05014 $$aML3790$$b.S346 2013eb
000717329 08204 $$a781.490973$$223
000717329 1001_ $$aSchmidt Horning, Susan.
000717329 24510 $$aChasing sound :$$btechnology, culture, and the art of studio recording from Edison to the LP /$$cSusan Schmidt Horning.
000717329 264_1 $$aBaltimore, Maryland :$$bJohns Hopkins University Press,$$c2013.
000717329 300__ $$a1 online resource (x, 292 pages) :$$billustrations
000717329 336__ $$atext$$2rdacontent
000717329 337__ $$acomputer$$2rdamedia
000717329 338__ $$aonline resource$$2rdacarrier
000717329 4901_ $$aStudies in industry and society
000717329 504__ $$aIncludes bibliographical references and index.
000717329 5050_ $$aCapturing sound in the acoustic era : recording professionals and clever mechanics -- The studio electrifies : radio, recording, and the birth of the small studio business -- A passion for sound : amateur recordists, the Audio Engineering Society, and the evolution of a profession -- When fidelity was new : the studio as intstrument -- Control men in technological transition : engineering the performance in the age of high fidelity -- The search for the sound : rhythm and blues, rock 'n' roll, and the rise of the independents -- Channeling sound : technology, control, and fixing it in the mix.
000717329 506__ $$aAccess limited to authorized users.
000717329 520__ $$aIn Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound. A former performer herself, Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century [Publisher description]
000717329 588__ $$aDescription based on print version record.
000717329 650_0 $$aPopular music$$xProduction and direction$$xHistory.
000717329 650_0 $$aSound recording industry$$xHistory.
000717329 650_0 $$aSound recordings$$xProduction and direction$$xHistory.
000717329 650_0 $$aSound studios$$xHistory.
000717329 650_0 $$aSound$$xRecording and reproducing$$xHistory.
000717329 77608 $$iPrint version:$$aSchmidt Horning, Susan.$$tChasing sound.$$dBaltimore : The Johns Hopkins University Press, 2013$$z9781421410227$$w(DLC) 2013006896$$w(OCoLC)829239607
000717329 830_0 $$aStudies in industry and society.
000717329 8520_ $$bacq
000717329 85280 $$bebk$$hProQuest Ebook Central
000717329 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3318775$$zOnline Access
000717329 909CO $$ooai:library.usi.edu:717329$$pGLOBAL_SET
000717329 980__ $$aEBOOK
000717329 980__ $$aBIB
000717329 982__ $$aEbook
000717329 983__ $$aOnline