000717537 000__ 02230cam\a2200337\i\4500 000717537 001__ 717537 000717537 005__ 20210515102500.0 000717537 008__ 131213s2014\\\\nju\\\\\\b\\\\001\0\eng\\ 000717537 010__ $$a 2013049603 000717537 020__ $$a9780691161822$$qhardcover$$qalkaline paper 000717537 020__ $$a0691161828$$qhardcover$$qalkaline paper 000717537 035__ $$a(OCoLC)ocn865543996 000717537 035__ $$a717537 000717537 040__ $$aDLC$$beng$$erda$$cDLC$$dYDXCP$$dBTCTA$$dBDX$$dOCLCF$$dUKMGB$$dCDX$$dJQM$$dCHVBK$$dCOO$$dCLU$$dYUS$$dABG$$dBEDGE 000717537 042__ $$apcc 000717537 043__ $$ae------$$an-us--- 000717537 049__ $$aISEA 000717537 05000 $$aK1420.5$$b.B359 2014 000717537 08200 $$a346.404/82$$223 000717537 1001_ $$aBaldwin, Peter,$$d1956-$$eauthor. 000717537 24514 $$aThe copyright wars :$$bthree centuries of trans-Atlantic battle /$$cPeter Baldwin. 000717537 264_1 $$aPrinceton, New Jersey :$$bPrinceton University Press,$$c[2014] 000717537 300__ $$a535 pages ;$$c25 cm 000717537 336__ $$atext$$btxt$$2rdacontent 000717537 337__ $$aunmediated$$bn$$2rdamedia 000717537 338__ $$avolume$$bnc$$2rdacarrier 000717537 504__ $$aIncludes bibliographical references (pages 413-512) and index. 000717537 5050_ $$aThe agon of author and audience -- The battle between Anglo-American copyright and European authors' rights -- From royal privilege to literary property : a common start to copyright in the eighteenth century -- The ways part : copyright and authors' rights in the nineteenth century -- Continental drift : Europe moves from property to personality at the turn of the century -- The strange birth of moral rights in Fascist Europe -- The postwar apotheosis of authors' rights -- America turns European : the battle of the booksellers redux in the 1990s -- The rise of the digital public : the copyright wars continue in the new millennium -- Reclaiming the spirit of copyright. 000717537 520__ $$aPeter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? --Publisher's description. 000717537 650_0 $$aCopyright$$zEurope$$xHistory. 000717537 650_0 $$aCopyright$$zUnited States$$xHistory. 000717537 85200 $$bgen$$hK1420.5$$i.B359$$i2014 000717537 909CO $$ooai:library.usi.edu:717537$$pGLOBAL_SET 000717537 980__ $$aBIB 000717537 980__ $$aBOOK