000718619 000__ 04451cam\a2200409\i\4500 000718619 001__ 718619 000718619 005__ 20210515102750.0 000718619 008__ 140702s2014\\\\enk\\\\\\b\\\\001\0deng\\ 000718619 010__ $$a 2014026370 000718619 020__ $$a9780521881197$$qhardcover 000718619 020__ $$a0521881196$$qhardcover 000718619 020__ $$a9780521707534$$qpaperback 000718619 020__ $$a0521707536$$qpaperback 000718619 035__ $$a(OCoLC)ocn883748847 000718619 035__ $$a718619 000718619 040__ $$aDLC$$beng$$erda$$cDLC$$dYDX$$dYDXCP$$dOCLCO$$dOCLCF$$dCOO$$dZCU 000718619 042__ $$apcc 000718619 043__ $$an-us--- 000718619 049__ $$aISEA 000718619 05000 $$aML410.E44$$bC34 2014 000718619 08200 $$a781.65092$$aB$$223 000718619 24504 $$aThe Cambridge companion to Duke Ellington /$$cedited by Edward Green ; associate editor, Evan Spring. 000718619 264_1 $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2014. 000718619 300__ $$axx, 294 pages :$$billustrations ;$$c25 cm. 000718619 336__ $$atext$$btxt$$2rdacontent 000718619 337__ $$aunmediated$$bn$$2rdamedia 000718619 338__ $$avolume$$bnc$$2rdacarrier 000718619 4901_ $$aCambridge companions to music 000718619 504__ $$aIncludes bibliographical references (pages 274-281) and index. 000718619 5058_ $$aMachine generated contents note: Chronology Evan Spring; Editor's introduction: Ellington, jazz, and aesthetic realism Edward Green; Part I. Ellington in Context: 1. Artful entertainment: Ellington's formative years in context John Howland; 2. The process of becoming: composition and recomposition David Berger; 3. Conductor of music and men: Duke Ellington through the eyes of his nephew Stephen D. James and J. Walker James; 4. Ellington abroad Brian Priestley; 5. Edward Kennedy Ellington as a cultural icon Olly W. Wilson and Trevor Weston; Part II. Duke Through the Decades: The Music and Its Reception: 6. Ellington's afro-modernist vision in the 1920s Jeffrey Magee; 7. Survival, adaptation and experimentation: Duke Ellington and his orchestra in the 1930s Andrew Berish; 8. The 1940s: The Blanton-Webster Band, Carnegie Hall, and the challenge of the postwar era Anna Harwell Celenza; 9. Duke in the 1950s: renaissance man Anthony Brown; 10. Ellington in the 1960s and 1970s: triumph and tragedy Dan Morgenstern; Part III. Ellington and the Jazz Tradition: 11. Ellington and the blues Benjamin Givan; 12. 'Seldom seen, but always heard': Billy Strayhorn and Duke Ellington Walter van de Leur; 13. Duke Ellington and the world of jazz piano Bill Dobbins; 14. Duke and descriptive music Marcello Piras; 15. Sing a song of Ellington, or, the accidental songwriter Will Friedwald; 16. The land of suites: Ellington and extended form David Berger; 17. Duke Ellington's legacy and influence Benjamin Bierman. 000718619 520__ $$a"Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"--$$cProvided by publisher. 000718619 520__ $$a"In the view of a large and ever-increasing number of people, Duke Ellington is America's greatest composer. I share this opinion. I also think a good case can be made that, all in all, Ellington, who lived from 1899 to 1974, was the most influential composer of the twentieth century - for jazz, with its various stylistic offspring, has had more impact worldwide than any other form of modern music. And Ellington is acknowledged almost universally as the greatest of all jazz composers"--$$cProvided by publisher. 000718619 60010 $$aEllington, Duke,$$d1899-1974$$xCriticism and interpretation. 000718619 650_0 $$aJazz musicians$$zUnited States$$vBiography. 000718619 7001_ $$aGreen, Edward,$$d1951-$$eeditor. 000718619 7001_ $$aSpring, Evan,$$eeditor. 000718619 830_0 $$aCambridge companions to music. 000718619 85200 $$bgen$$hML410.E44$$iC34$$i2014 000718619 909CO $$ooai:library.usi.edu:718619$$pGLOBAL_SET 000718619 980__ $$aBIB 000718619 980__ $$aBOOK