000719172 000__ 01208cam\a2200325Ia\4500 000719172 001__ 719172 000719172 005__ 20210515102848.0 000719172 006__ m\\\\\o\\d\\\\\\\\ 000719172 007__ cr\cn\nnnunnun 000719172 008__ 110825s2012\\\\ne\\\\\\ob\\\\001\0\eng\d 000719172 020__ $$z9089642927 000719172 020__ $$a9789048513840$$qelectronic book 000719172 020__ $$z9789089642929 000719172 035__ $$a(CaPaEBR)ebr10589702 000719172 035__ $$a(OCoLC)808385746 000719172 040__ $$aCaPaEBR$$cCaPaEBR 000719172 05014 $$aPN1998.3.E67$$bJ43 2012eb 000719172 24500 $$aJean Epstein$$h[electronic resource] :$$bcritical essays and new translations /$$cedited by Sarah Keller & Jason N. Paul. 000719172 260__ $$a[Amsterdam] :$$bAmsterdam University Press,$$cc2012. 000719172 300__ $$a439 p. 000719172 4900_ $$aFilm theory in media history 000719172 504__ $$aIncludes bibliographical references and index. 000719172 506__ $$aAccess limited to authorized users. 000719172 60010 $$aEpstein, Jean,$$d1897-1953$$xCriticism and interpretation. 000719172 650_0 $$aMotion pictures$$zFrance. 000719172 7001_ $$aKeller, Sarah. 000719172 7001_ $$aPaul, Jason N. 000719172 852__ $$bebk 000719172 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10589702$$zOnline Access 000719172 909CO $$ooai:library.usi.edu:719172$$pGLOBAL_SET 000719172 980__ $$aEBOOK 000719172 980__ $$aBIB 000719172 982__ $$aEbook 000719172 983__ $$aOnline