000719382 000__ 01337cam\a2200325\a\4500
000719382 001__ 719382
000719382 005__ 20210515102919.0
000719382 006__ m\\\\\o\\d\\\\\\\\
000719382 007__ cr\cn\nnnunnun
000719382 008__ 130307s2012\\\\ne\a\\\\ob\\\\001\0\eng\d
000719382 020__ $$z9789089643629
000719382 020__ $$a9789048515059$$qelectronic book
000719382 035__ $$a(CaPaEBR)ebr10661930
000719382 035__ $$a(OCoLC)824468912
000719382 040__ $$aCaPaEBR$$cCaPaEBR
000719382 05014 $$aPN1995.9.A8$$bA93 2012eb
000719382 24500 $$aAudiences$$h[electronic resource] :$$bdefining and researching screen entertainment reception /$$cedited by Ian Christie.
000719382 260__ $$aAmsterdam :$$bAmsterdam University Press,$$c2012.
000719382 300__ $$a332 p. :$$bill.
000719382 4901_ $$aKey debates : mutations and appropriations in European film studies
000719382 504__ $$aIncludes bibliographical references and indexes.
000719382 5050_ $$apt. 1. Reassessing historic audiences -- pt. 2. New frontiers in audience research -- pt. 3. Once and future audiences.
000719382 506__ $$aAccess limited to authorized users.
000719382 650_0 $$aMotion picture audiences.
000719382 650_0 $$aMotion pictures$$xSocial aspects.
000719382 7001_ $$aChristie, Ian.
000719382 830_0 $$aKey debates.
000719382 852__ $$bebk
000719382 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10661930$$zOnline Access
000719382 909CO $$ooai:library.usi.edu:719382$$pGLOBAL_SET
000719382 980__ $$aEBOOK
000719382 980__ $$aBIB
000719382 982__ $$aEbook
000719382 983__ $$aOnline