000719441 000__ 01686cam\a2200349\a\4500
000719441 001__ 719441
000719441 005__ 20210515102928.0
000719441 006__ m\\\\\o\\d\\\\\\\\
000719441 007__ cr\cn\nnnunnun
000719441 008__ 121213s2013\\\\mnua\\\\obq\\\001\0\eng\d
000719441 010__ $$z  2012043821
000719441 020__ $$z9780816678044$$qhardcover
000719441 020__ $$z9780816678051$$qpaperback
000719441 020__ $$a9781452939384$$qelectronic book
000719441 035__ $$a(CaPaEBR)ebr10677252
000719441 035__ $$a(OCoLC)834136740
000719441 040__ $$aCaPaEBR$$cCaPaEBR
000719441 05014 $$aPN1995.9.M56$$bM38 2013eb
000719441 08204 $$a791.43/6552$$223
000719441 1001_ $$aMaurice, Alice.
000719441 24514 $$aThe cinema and its shadow$$h[electronic resource] :$$brace and technology in early cinema /$$cAlice Maurice.
000719441 260__ $$aMinneapolis :$$bUniversity of Minnesota Press,$$c2013.
000719441 300__ $$axi, 268 p. :$$bill.
000719441 504__ $$aIncludes bibliographical references, filmography, and index.
000719441 5050_ $$aIntroduction: embodying cinema -- Performing body, performing image: race and the boundaries of early cinematic narrative -- Face, race, and screen: close-ups and the transition to the feature film -- Recasting shadows: race, image, and audience -- "Cinema at its source": synchronizing race and sound in the early talkies -- Conclusion: red, white, and blue: digital cinema, race, and avatar.
000719441 506__ $$aAccess limited to authorized users.
000719441 650_0 $$aMinorities in motion pictures.
000719441 650_0 $$aRace in motion pictures.
000719441 650_0 $$aMotion picture industry$$xTechnological innovations.
000719441 852__ $$bebk
000719441 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10677252$$zOnline Access
000719441 909CO $$ooai:library.usi.edu:719441$$pGLOBAL_SET
000719441 980__ $$aEBOOK
000719441 980__ $$aBIB
000719441 982__ $$aEbook
000719441 983__ $$aOnline