Introduction
100 Ideas that Changed Film
No.1 MAGIC LANTERNS
No.2 PERSISTENCE OF VISION
No.3 THE KINETOSCOPE
No.4 THE CINÉMATOGRAPHE
No.5 PROJECTION
No.6 TRICK FILMS
No.7 CLOSE-UPS
No.8 OPTICAL TRANSITIONS
No.9 POINT-OF-VIEW SHOTS
No.10 TRACKING SHOTS
No.11 CHASE SEQUENCES
No.12 CONTINUITY EDITING
No.13 MATCH SHOTS
No.14 NICKELODEONS
No.15 FILM D'ART
No.16 FEATURE FILMS
No.17 DREAM PALACES
No.18 SHOOTING SCRIPTS
No.19 IN-CAMERA EFFECTS
No.20 SERIALS
No.21 SLAPSTICK
No.22 STUNTS
No.23 THE STAR SYSTEM
No.24 HOLLYWOOD
No.25 MOVIE MOGULS
No.26 BLOCK BOOKING
No.27 THE STUDIO SYSTEM
No.28 GENRE
No.29 PRESOLD SOURCES
No.30 CHILD STARS
No.31 FAN MAGAZINES
No.32 THE OSCARS
No.33 MONOCHROME
No.34 PROCESS SHOTS
No.35 ARTIFICIAL LIGHTING
No.36 EXPRESSIONISM
No.37 THE NARRATIVE AVANT-GARDE
No.38 FILM SCHOOLS
No.39 MONTAGE
No.40 TYPAGE
No.41 SURREALISM
No.42 EXPERIMENTAL CINEMA
No.43 SOUND
No.44 MUSICAL SCORES
No.45 DUBBING
No.46 SUBTITLES
No.47 NEWSREELS
No.48 CENSORSHIP
No.49 PROPAGANDA
No.50 POETIC REALISM
No.51 STUDIO REALISM
No.52 B MOVIES
No.53 SERIES
No.54 SHORTS
No.55 ANIMATION
No.56 MODELS
No.57 NEOREALISM
No.58 FLASHBACKS
No.59 VOICE-OVER
No.60 FILM NOIR
No.61 THE BLACKLIST
No.62 METHOD ACTING
No.63 TELEVISION
No.64 THE ACADEMY RATIO
No.65 COLOR
No.66 3-D
No.67 COPRODUCTION
No.68 EPICS
No.69 EXPLOITATION
No.70 TRAILERS
No.71 SAFETY FILM
No.72 THE CINÉMATHÈQUE FRANÇAISE
No.73 CANNES
No.74 CRITICISM
No.75 MISE EN SCÈNE
No.76 OFFSCREEN SPACE
No.77 AUTEUR THEORY
No.78 HANDHELD CAMERA
No.79 CINÉMA VÉRITÉ
No.80 FREE CINEMA
No.81 THIRD CINEMA
No.82 ZOOM
No.83 ROAD MOVIES
No.84 BLAXPLOITATION
No.85 PORNOGRAPHY
No.86 FEMINIST FILM THEORY
No.87 BLOCKBUSTERS
No.88 EFFECTS MAKEUP
No.89 KIDPICS
No.90 TEENPICS
No.91 SEQUELS
No.92 REMAKES
No.93 MULTIPLEXES
No.94 VIDEO
No.95 HOME ENTERTAINMENT
No.96 US INDEPENDENT CINEMA
No.97 QUEER CINEMA
No.98 HERITAGE FILMS
No.99 DIGITAL VIDEO
No.100 COMPUTER-GENERATED IMAGERY
Glossary
Further Reading
Acknowledgement.