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000725160 020__ $$a9789401795616$$qelectronic book
000725160 020__ $$a9401795614$$qelectronic book
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000725160 0247_ $$a10.1007/978-94-017-9561-6$$2doi
000725160 035__ $$aSP(OCoLC)ocn900158053
000725160 035__ $$aSP(OCoLC)900158053
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000725160 049__ $$aISEA
000725160 050_4 $$aMT56$$b.P37 2015eb
000725160 08204 $$a781.34$$223
000725160 24500 $$aPatterns of intuition$$h[electronic resource] :$$bmusical creativity in the light of algorithmic composition /$$cGerhard Nierhaus, editor.
000725160 264_1 $$aDordrecht :$$bSpringer,$$c[2015]
000725160 264_4 $$c©2015
000725160 300__ $$a1 online resource :$$billustrations, music.
000725160 336__ $$atext$$btxt$$2rdacontent
000725160 337__ $$acomputer$$bc$$2rdamedia
000725160 338__ $$aonline resource$$bcr$$2rdacarrier
000725160 504__ $$aIncludes bibliographical references.
000725160 5050_ $$aOutline of the compositional structure(s) to be investigated -- The algorithms/procedures used -- Findings -- Improvisation in Trees -- Electronic Music for an Acoustic Piano -- Forbidden Melodies -- The Semantics of a String Quartet -- Comments from renowned scientists from related research areas of Algorithmic Composition, Musicology, Artistic Research, Creativity.
000725160 506__ $$aAccess limited to authorized users.
000725160 520__ $$aThe present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields.
000725160 588__ $$aDescription based on online resource; title from PDF title page (viewed January 19, 2015).
000725160 650_0 $$aComputer composition (Music)
000725160 650_0 $$aComposition (Music)
000725160 650_0 $$aCreative ability.
000725160 7001_ $$aNierhaus, Gerhard,$$eeditor of compilation.
000725160 77608 $$iPrint version:$$z9789401795609
000725160 852__ $$bebk
000725160 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-94-017-9561-6$$zOnline Access$$91397441.1
000725160 909CO $$ooai:library.usi.edu:725160$$pGLOBAL_SET
000725160 980__ $$aEBOOK
000725160 980__ $$aBIB
000725160 982__ $$aEbook
000725160 983__ $$aOnline
000725160 994__ $$a92$$bISE