Opera house acoustics based on subjective preference theory [electronic resource] / Yoichi Ando.
Ando, Yoichi, 1939- author.
2015
QC225.15
Available Online

Linked e-resources

Linked Resource Online Access
Concurrent users Unlimited
Authorized users Authorized users
Document Delivery Supplied Can lend chapters, not whole ebooks

Details

Title Opera house acoustics based on subjective preference theory [electronic resource] / Yoichi Ando.
Author Ando, Yoichi, 1939- author.
ISBN 9784431554233 electronic book
4431554238 electronic book
9784431554226
DOI https://doi.org/10.1007/978-4-431-55423-3
Published Tokyo : Springer, [2015]
Language English
Description 1 online resource.
Item Number 10.1007/978-4-431-55423-3 doi
Call Number QC225.15
Dewey Decimal Classification 534
Summary This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system. It is℗ℓreconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.
Access Note Access limited to authorized users.
Series Mathematics for industry (Springer (Firm)) ; 12.
Available in Other Form Print version: 9784431554226
Linked Resources Online Access
Record Appears in Online Resources > Ebooks
All Resources
Introduction
Analyses of Temporal Factors of a Source Signal
Formulations and Simulation of the Sound Field
Model of Auditory-Brain System
Temporal- and Spatial-Primary Percepts of the Sound and the Sound Field
Theory of Subjective Preference for the Sound Field
Examination of Subjective Preference Theory in an Existing Opera House
Reverberance of the Sound Field
Improvements of Subjective Prefences for Listeners and Performers
Optimizing Room-Form
Visual Temporal Sensations on the Stage Blending with Opera and Music
Design Theory of Opera House Stage Persisting Individual Creations
Appendix Appendix Comparison between Measured Orthogonal Factors Using a Dummy Head and Four Human-Real Heads.

Browse Subjects

Show more subjects...

Statistics

from
to
Export