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000726011 019__ $$a908049081
000726011 020__ $$a9783319140179$$qelectronic book
000726011 020__ $$a3319140175$$qelectronic book
000726011 020__ $$z9783319140162
000726011 0247_ $$a10.1007/978-3-319-14017-9$$2doi
000726011 035__ $$aSP(OCoLC)ocn904755667
000726011 035__ $$aSP(OCoLC)904755667$$z(OCoLC)908049081
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000726011 049__ $$aISEA
000726011 050_4 $$aNK1520
000726011 08204 $$a153.3/5$$223
000726011 1001_ $$aChan, Chiu-Shui,$$eauthor.
000726011 24510 $$aStyle and creativity in design$$h[electronic resource] /$$cChiu-Shui Chan.
000726011 264_1 $$aCham :$$bSpringer,$$c2015.
000726011 300__ $$a1 online resource (xiv, 331 pages) :$$billustrations.
000726011 336__ $$atext$$btxt$$2rdacontent
000726011 337__ $$acomputer$$bc$$2rdamedia
000726011 338__ $$aonline resource$$bcr$$2rdacarrier
000726011 4901_ $$aStudies in applied philosophy, epistemology and rational ethics,$$x2192-6255 ;$$vvolume 17
000726011 504__ $$aIncludes bibliographical references and indexes.
000726011 5050_ $$a1 Introduction -- Part I Conceptual Framework -- 2 Introduction of Design Cognition -- Part II Style -- 3 Development of Studies in Style -- 4 Style as Identities in Design Products -- 5 Style Approached from the Design Process -- 6 Creation of Style in the Design Process -- Part III Creativity -- 7 Development of Studies in Creativity -- Part IV Style and Creativity -- 8 Creative Processes and Style -- 9 Cognitive Theory of Style and Creativity -- Name Index -- Subject Index.
000726011 506__ $$aAccess limited to authorized users.
000726011 520__ $$aThis book looks at causative reasons behind creative acts and stylistic expressions. It explores how creativity is initiated by design cognition and explains relationships between style and creativity. The book establishes a new cognitive theory of style and creativity in design and provides designers with insights into their own cognitive processes and styles of thinking, supporting a better understanding of the qualities present in their own design. An explanation of the nature of design cognition begins this work, with a look at how design knowledge is formulated, developed, structured and utilized, and how this utilization triggers style and creativity. The author goes on to review historical studies of style, considering a series of psychological experiments relating to the operational definition, degree, measurement, and creation of style. The work conceptually summarizes the recognition of individual style in products, as well as the creation of such styles as a process before reviewing studies on creativity from various disciplines, presenting case studies and reviewing works by master architects. Readers will discover how creativity is initiated by design cognition. A summary of the correlations between creativity and style, expressed as a conceptual formula describing the cognitive phenomenon of style and creativity concludes the work. The ideas presented here are applicable to all design fields, allowing designers to comprehend and improve their design processes to produce creative, stylistically unique products.
000726011 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 18, 2015).
000726011 650_0 $$aDesign$$xPsychological aspects.
000726011 650_0 $$aCreative ability.
000726011 77608 $$iPrint version:$$z9783319140162
000726011 830_0 $$aStudies in applied philosophy. epistemology and rational ethics ;$$vvolume 17.
000726011 852__ $$bebk
000726011 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-14017-9$$zOnline Access$$91397441.1
000726011 909CO $$ooai:library.usi.edu:726011$$pGLOBAL_SET
000726011 980__ $$aEBOOK
000726011 980__ $$aBIB
000726011 982__ $$aEbook
000726011 983__ $$aOnline
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