Linked e-resources
Details
Table of Contents
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting
Renotation from Optical Music Recognition
Foundations for Reliable and Flexible Interactive Multimedia Scores
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation
Describing Global Musical Structures by Integer Programming on Musical Patterns
Improved Iterative Random Walk for Four-Part Harmonization
Location Constraints for Repetition-Based Segmentation of Melodies
Modeling Musical Structure with Parametric Grammars
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals
A Corpus-Sensitive Algorithm for Automated Tonal Analysis
Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm
Logistic Modeling of Note Transitions
Evaluating Singer Consistency and Uniqueness in Vocal Performances
A Change-Point Approach Towards Representing Musical Dynamics
Structural Similarity Based on Time-Span Sub-Trees
Cross Entropy as a Measure of Musical Contrast
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming
Applications of DFT to the Theory of Twentieth-Century Harmony
Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute
A Statistical Approach to the Global Structure of John Cage's Number Piece Five⁵
Exact Cover Problem in Milton Babbitt's All-Partition Array
Constructing Geometrical Spaces from Acoustical Representations
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading
All-Interval Structures
Unifying Tone System Definitions: Ordering Chromas
A Categorical Generalization of Klumpenhouwer Networks
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines
¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity
Can a Musical Scale Have 14 Generators?
On the Step-Patterns of Generated Scales That are Not Well-Formed
Triads as Modes within Scales as Modes
Greek Ethnic Modal Names vs. Alia Musica's Nomenclature.
Renotation from Optical Music Recognition
Foundations for Reliable and Flexible Interactive Multimedia Scores
Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation
Describing Global Musical Structures by Integer Programming on Musical Patterns
Improved Iterative Random Walk for Four-Part Harmonization
Location Constraints for Repetition-Based Segmentation of Melodies
Modeling Musical Structure with Parametric Grammars
Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals
A Corpus-Sensitive Algorithm for Automated Tonal Analysis
Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path Algorithm
A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation
Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm
Logistic Modeling of Note Transitions
Evaluating Singer Consistency and Uniqueness in Vocal Performances
A Change-Point Approach Towards Representing Musical Dynamics
Structural Similarity Based on Time-Span Sub-Trees
Cross Entropy as a Measure of Musical Contrast
Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming
Applications of DFT to the Theory of Twentieth-Century Harmony
Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute
A Statistical Approach to the Global Structure of John Cage's Number Piece Five⁵
Exact Cover Problem in Milton Babbitt's All-Partition Array
Constructing Geometrical Spaces from Acoustical Representations
Geometry, Iterated Quantization and Filtered Voice-Leading Spaces
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading
All-Interval Structures
Unifying Tone System Definitions: Ordering Chromas
A Categorical Generalization of Klumpenhouwer Networks
The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines
¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity
Can a Musical Scale Have 14 Generators?
On the Step-Patterns of Generated Scales That are Not Well-Formed
Triads as Modes within Scales as Modes
Greek Ethnic Modal Names vs. Alia Musica's Nomenclature.