000728209 000__ 02979cam\a2200469Ii\4500 000728209 001__ 728209 000728209 005__ 20230306141000.0 000728209 006__ m\\\\\o\\d\\\\\\\\ 000728209 007__ cr\cn\nnnunnun 000728209 008__ 150717s2015\\\\sz\a\\\\ob\\\\001\0\eng\d 000728209 020__ $$a9783319112367$$qelectronic book 000728209 020__ $$a3319112368$$qelectronic book 000728209 020__ $$z9783319112350 000728209 0247_ $$a10.1007/978-3-319-11236-7$$2doi 000728209 035__ $$aSP(OCoLC)ocn913959096 000728209 035__ $$aSP(OCoLC)913959096 000728209 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dOCLCO$$dYDXCP$$dAZU$$dVLB 000728209 049__ $$aISEA 000728209 050_4 $$aMT55$$b.A39 2015eb 000728209 08204 $$a781.2/86$$223 000728209 1001_ $$aAgustín-Aquino, Octavio Alberto,$$eauthor. 000728209 24510 $$aComputational counterpoint worlds$$h[electronic resource] :$$bmathematical theory, software, and experiments /$$cOctavio Alberto Agustín-Aquino, Julien Junod, Guerino Mazzola. 000728209 264_1 $$aCham :$$bSpringer,$$c2015. 000728209 300__ $$a1 online resource (x, 220 pages) :$$billustrations. 000728209 336__ $$atext$$btxt$$2rdacontent 000728209 337__ $$acomputer$$bc$$2rdamedia 000728209 338__ $$aonline resource$$bcr$$2rdacarrier 000728209 4901_ $$aComputational Music Science,$$x1868-0305 000728209 504__ $$aIncludes bibliographical references and index. 000728209 5050_ $$aCounterpoint -- First-Species Model -- Preliminary Background -- Quasipolarities and Interval Dichotomies -- Towers of Counterpoint -- Graphs -- Transformations -- Implementation -- Second-Species Model -- Hypergesture Homology -- Glossary -- Index. 000728209 506__ $$aAccess limited to authorized users. 000728209 520__ $$aThe mathematical theory of counterpoint was originally aimed at simulating the composition rules described in Johann Joseph Fux's Gradus ad Parnassum. It soon became apparent that the algebraic apparatus used in this model could also serve to define entirely new systems of rules for composition, generated by new choices of consonances and dissonances, which in turn lead to new restrictions governing the succession of intervals. This is the first book bringing together recent developments and perspectives on mathematical counterpoint theory in detail. The authors include recent theoretical results on counterpoint worlds, the extension of counterpoint to microtonal pitch systems, the singular homology of counterpoint models, and the software implementation of contrapuntal models. The book is suitable for graduates and researchers. A good command of algebra is a prerequisite for understanding the construction of the model. 000728209 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed July 13, 2015). 000728209 650_0 $$aCounterpoint$$xMathematics. 000728209 650_0 $$aComputer music$$xHistory and criticism. 000728209 7001_ $$aJunod, Julien,$$eauthor. 000728209 7001_ $$aMazzola, G.$$q(Guerino),$$eauthor. 000728209 830_0 $$aComputational music science. 000728209 852__ $$bebk 000728209 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-11236-7$$zOnline Access$$91397441.1 000728209 909CO $$ooai:library.usi.edu:728209$$pGLOBAL_SET 000728209 980__ $$aEBOOK 000728209 980__ $$aBIB 000728209 982__ $$aEbook 000728209 983__ $$aOnline 000728209 994__ $$a92$$bISE