000732018 000__ 01635cam\a2200349Ma\4500 000732018 001__ 732018 000732018 005__ 20210515110143.0 000732018 006__ m\\\\\o\\d\\\\\\\\ 000732018 007__ cr\cnunnnunnun 000732018 008__ 151015s2015\\\\nyua\\\\o\\\\\000\u\eng\d 000732018 020__ $$a9781612190457$$qelectronic book 000732018 020__ $$a1612190456$$qelectronic book 000732018 035__ $$aocn869384229 000732018 035__ $$a(OCoLC)869384229 000732018 035__ $$a732018 000732018 040__ $$aRECBK$$beng$$cRECBK$$dOCLCO$$dOCLCQ$$dOCLCF$$dN$T 000732018 049__ $$aISEA 000732018 050_4 $$aNX180.P64$$bT49 2015eb 000732018 08204 $$a700.103$$223 000732018 1001_ $$aThompson, Nato. 000732018 24510 $$aSeeing power$$h[electronic resource] :$$bart and activism in the 21st century /$$cNato Thompson. 000732018 260__ $$aBrooklyn, New York :$$bMelville House,$$c2015. 000732018 300__ $$a1 online resource (ix, 165 pages) :$$billustrations 000732018 5050_ $$aIntroduction -- Cultural production makes a world -- The didactic and the ambiguous in the paranoiac age of reception -- Seeing power in infrastructures of resonance -- Seeing through the haze of social and cultural capital -- Seeing power -- Seeing power in spaces -- Seeing power in space. 000732018 506__ $$aAccess limited to authorized users. 000732018 588__ $$aDescription based on print version record. 000732018 650_0 $$aArt$$xPolitical aspects. 000732018 650_0 $$aArt and social action. 000732018 77608 $$iPrint version:$$aThompson, Nato.$$tSeeing power.$$dBrooklyn, New York : Melville House, 2015$$z9781612190440$$w(DLC) 2011044687 000732018 852__ $$bacq 000732018 85280 $$bebk$$hEBSCOhost 000732018 85640 $$3EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=751497$$zOnline Access 000732018 909CO $$ooai:library.usi.edu:732018$$pGLOBAL_SET 000732018 980__ $$aEBOOK 000732018 980__ $$aBIB 000732018 982__ $$aEbook 000732018 983__ $$aOnline