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Introduction
Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl
"We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure
Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene
Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake
Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet.

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