000741055 000__ 05005cam\a2200421\i\4500 000741055 001__ 741055 000741055 005__ 20210515111716.0 000741055 008__ 141209s2015\\\\nyu\\\\\\b\\\\001\0\eng\\ 000741055 010__ $$a 2014047270 000741055 019__ $$a908334426$$a912030529$$a913618588 000741055 020__ $$a9781107046498$$qhardcover 000741055 020__ $$a1107046491$$qhardcover 000741055 020__ $$a9781107646186$$qpaperback 000741055 020__ $$a1107646189$$qpaperback 000741055 035__ $$a(OCoLC)ocn898029216 000741055 040__ $$aDLC$$beng$$erda$$cDLC$$dBTCTA$$dOCLCF$$dCDX$$dYDXCP$$dSFR$$dNKM$$dLND$$dEYM$$dGZM$$dCOO$$dCHVBK$$dSTJ$$dIXA$$dOCLCQ$$dWEA$$dVP@$$dERASA$$dZLM$$dOKS$$dITD 000741055 042__ $$apcc 000741055 049__ $$aISEA 000741055 05000 $$aPS153.G38$$bC36 2015 000741055 08200 $$a810.9/920664$$223 000741055 24504 $$aThe Cambridge Companion to American Gay and Lesbian Literature /$$cedited by Scott Herring, Indiana University. 000741055 264_1 $$aNew York, NY :$$bCambridge University Press,$$c2015. 000741055 300__ $$axxiv, 248 pages ;$$c24 cm. 000741055 336__ $$atext$$btxt$$2rdacontent 000741055 337__ $$aunmediated$$bn$$2rdamedia 000741055 338__ $$avolume$$bnc$$2rdacarrier 000741055 4901_ $$aCambridge Companions to Literature 000741055 504__ $$aIncludes bibliographical references and index. 000741055 50500 $$tQueer novelties /$$rMichael Cobb --$$tQueer theater and performance /$$rSean Metzger --$$tQueer poetry, between ʺas isʺ and ʺas ifʺ /$$rEric Keenaghan --$$tWriting queer lives: autobiography and memoir /$$rJulie Avril Minich --$$tQueer cinema, queer writing, queer criticism /$$rLucas Hilderbrand --$$tNineteenth-century queer literature /$$rTravis Foster --$$tLiterary and sexual experimentalism in the interwar years /$$rDaniela Caselli --$$tThe Cold War closet /$$rMichael P. Bibler --$$tThe time of AIDS and the rise of ʺpost-gayʺ /$$rGuy Davidson --$$tGender and sexuality /$$rL.H. Stallings --$$tIntersections of race, gender, and sexuality: queer of color critique /$$rKyla Wazana Tompkins --$$tPsychoanalytic literary criticism of gay and lesbian American literature /$$rJudith Roof --$$tPost-structuralism: originators and heirs /$$rMelissa Jane Hardie --$$tTransnational queer imaginaries, intimacies, insurgencies /$$rMartin Joseph Ponce. 000741055 520__ $$a"This Companion examines the connections between LGBTQ populations and American literature from the late eighteenth to twenty-first centuries. It surveys primary and secondary writings under the evolving category of gay and lesbian authorship, and incorporates current thinking in US-based LGBTQ studies as well as critical practices within the field of American literary studies. This Companion also addresses the ways in which queerness pervades persons, texts, bodies, and reading, while paying attention to the transnational component of such literatures. In so doing, it details the chief genres, conventional historical backgrounds, and influential interpretive practices that support the analysis of LGBTQ literatures in the United States"--$$cProvided by publisher. 000741055 520__ $$a"Writing anything definitive about the queer American novel will always be unsatisfying, if not impossible. Unsatisfying, because the romances they contain are uncertain and, quite often, doomed: heartbreak, violence, and persecution pepper nearly every page. Impossible, because the genre's terrain is as vast and uncertain as America itself: the spaces, the characters, plots, ideas, and dynamics - too varied. The minute you say one thing, you could say another. And perhaps that might be the point. As one character from Djuna Barnes's lesbian novel Nightwood puts it, "With an American anything can be done.'"1 We could say the same about the queer American novel. If there is anything consistently connecting this genre, it is that it features, however obliquely, the effects characters (usually American, but not always) have as they seek reasons for why they have sexual feelings for those that are not obvious or traditional object choices. Frequently, these effects instruct characters in their pursuit of self-knowledge and self-understanding, especially if others have pathologized their desires (and America has and does pathologize its queers). In her autobiographical graphic memoir Fun Home, Alison Bechdel tells a story of a variety of discoveries that books, explicitly queer or not, can inspire. During the same afternoon when she acknowledges that she is a "lesbian," she also finds herself asking a professor to let her take his course on James Joyce's Ulysses - her father's favorite book. As we move from the captions and the meticulous, stylized drawings, canonical books acquire an increasingly important role: books become guides to how Bechdel will affect "a convergence" with her "abstracted father.""--$$cProvided by publisher. 000741055 650_0 $$aGays' writings, American$$xHistory and criticism. 000741055 650_0 $$aHomosexuality and literature. 000741055 650_0 $$aGay men in literature. 000741055 650_0 $$aLesbians in literature. 000741055 7001_ $$aHerring, Scott,$$d1976- 000741055 830_0 $$aCambridge companions to literature. 000741055 85200 $$bgen$$hPS153.G38$$iC36$$i2015 000741055 85642 $$3Cover image$$uhttp://assets.cambridge.org/97811076/46186/cover/9781107646186.jpg 000741055 909CO $$ooai:library.usi.edu:741055$$pGLOBAL_SET 000741055 980__ $$aBIB 000741055 980__ $$aBOOK