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000743767 020__ $$z9780823262472 
000743767 035__ $$a(CaPaEBR)ebr10962383
000743767 035__ $$a(OCoLC)896852950
000743767 040__ $$aCaPaEBR$$beng$$erda$$epn$$cCaPaEBR
000743767 05014 $$aPN1035$$b.F73 2015eb
000743767 08204 $$a808.1$$223
000743767 1001_ $$aFrank, Adam,$$d1967-$$eauthor.
000743767 24510 $$aTransferential Poetics, from Poe to Warhol$$h[electronic resource] /$$cAdam Frank.
000743767 264_1 $$aNew York :$$bFordham University Press,$$c2015.
000743767 300__ $$a1 online resource (200 pages) :$$billustrations
000743767 336__ $$atext$$2rdacontent
000743767 337__ $$acomputer$$2rdamedia
000743767 338__ $$aonline resource$$2rdacarrier
000743767 504__ $$aIncludes bibliographical references and index.
000743767 5058_ $$aMachine generated contents note: -- Acknowledgements -- Introduction: Affect in the Scene of Writing -- Chapter 1 Thinking Confusion: On the Compositional Aspect of Affect -- Chapter 2 Expression and Theatricality, or Medium Poe -- Chapter 3 Maisie's Spasms: Transferential Poetics in Henry James and Wilfred Bion -- Chapter 4 Loose Coordinations: Theater and Thinking in Gertrude Stein -- Chapter 5 Vis-à-vis Television: Andy Warhol's Therapeutics -- Out and Across -- Notes -- Bibliography -- Index.
000743767 506__ $$aAccess limited to authorized users.
000743767 520__ $$a"Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience their transferential poetics. The book's historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction"--$$cProvided by publisher.
000743767 588__ $$aDescription based on print version record.
000743767 650_0 $$aPoetics$$xHistory.
000743767 650_0 $$aSemiotics.
000743767 77608 $$iPrint version:$$aFrank, Adam.$$tTransferential Poetics, from Poe to Warhol.$$dNew York : Fordham University Press, 2015$$z9780823262465
000743767 852__ $$bebk
000743767 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10962383$$zOnline Access
000743767 909CO $$ooai:library.usi.edu:743767$$pGLOBAL_SET
000743767 980__ $$aEBOOK
000743767 980__ $$aBIB
000743767 982__ $$aEbook
000743767 983__ $$aOnline