000744369 000__ 03357cam\a2200457\i\4500 000744369 001__ 744369 000744369 005__ 20210515112407.0 000744369 006__ m\\\\\o\\d\\\\\\\\ 000744369 007__ cr\cn\nnnunnun 000744369 008__ 140702t20152015msua\\\\o\\\\\001\0deng\d 000744369 020__ $$z9781628461305 000744369 020__ $$a9781626740716$$qelectronic book 000744369 035__ $$a(CaPaEBR)ebr11010061 000744369 035__ $$a(OCoLC)883305195 000744369 040__ $$aCaPaEBR$$beng$$erda$$epn$$cCaPaEBR 000744369 05014 $$aPN6733.S48$$bZ46 2015eb 000744369 08204 $$a741.5/971$$223 000744369 1000_ $$aSeth,$$d1962- 000744369 24010 $$aInterviews.$$kSelections 000744369 24510 $$aSeth$$h[electronic resource] :$$bconversations /$$cedited by Eric Hoffman and Dominick Grace. 000744369 264_1 $$aJackson :$$bUniversity Press of Mississippi,$$c[2015] 000744369 264_4 $$c©2015 000744369 300__ $$a1 online resource (251 pages) :$$billustrations. 000744369 336__ $$atext$$2rdacontent 000744369 337__ $$acomputer$$2rdamedia 000744369 338__ $$aonline resource$$2rdacarrier 000744369 4901_ $$aConversations with comic artists series 000744369 500__ $$aCollection of interviews originally published in various sources. 000744369 500__ $$aIncludes index. 000744369 506__ $$aAccess limited to authorized users. 000744369 520__ $$a"Canadian cartoonist Gregory Gallant, (b. 1962), pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on Mister X, a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. His primary influences are underground commix, newspaper strips, and classic cartooning. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. Conversations offer insight into his influences, ideologies of comics and art, thematic preoccupations, and major works, from numerous perspectives--given Seth's complex and multifaceted artistic endeavours. Seth's first graphic novel, It's a Good Life, If You Don't Weaken, announced his fascination with the past and with earlier cartooning styles. Subsequent works expand on those preoccupation and themes. Clyde Fans, for example, balances present-day action against narratives set in the past. The visual style looks polished and contemplative, the narrative deliberately paced; plot seems less important than mood or characterization, as Seth deals with the inescapable grind of time and what it devours, themes which recur to varying degrees in George Sprott, Wimbledon Green, and The Great Northern Brotherhood of Canadian Cartoonists"--$$cProvided by publisher. 000744369 588__ $$aDescription based on print version record. 000744369 60000 $$aSeth,$$d1962-$$vInterviews. 000744369 650_0 $$aCartoonists$$zCanada$$vInterviews. 000744369 7001_ $$aHoffman, Eric,$$d1976-$$eeditor. 000744369 7001_ $$aGrace, Dominick,$$d1963-$$eeditor. 000744369 77608 $$iPrint version:$$aSeth.$$tSeth : conversations.$$dJackson : University Press of Mississippi, [2015]$$z9781628461305$$w(DLC) 201402411 000744369 830_0 $$aConversations with comic artists. 000744369 852__ $$bebk 000744369 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=11010061$$zOnline Access 000744369 909CO $$ooai:library.usi.edu:744369$$pGLOBAL_SET 000744369 980__ $$aEBOOK 000744369 980__ $$aBIB 000744369 982__ $$aEbook 000744369 983__ $$aOnline