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000745451 020__ $$a9780199341689$$q(electronic book)
000745451 0247_ $$a10.1093/oxfordhb/9780199321285$$2doi
000745451 035__ $$a(StDuBDS)EDZ0001347469
000745451 035__ $$a745451
000745451 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000745451 050_4 $$aML74.7$$b.O94 2016eb
000745451 08204 $$a780.285$$223
000745451 24504 $$aThe Oxford handbook of music and virtuality /$$cedited by Sheila Whiteley and Shara Rambarran.
000745451 24630 $$aMusic and virtuality
000745451 264_1 $$aNew York, NY :$$bOxford University Press,$$c2016.
000745451 300__ $$a1 online resource (xxxii, 679 pages) :$$billustrations, music.
000745451 336__ $$atext$$2rdacontent
000745451 337__ $$acomputer$$2rdamedia
000745451 338__ $$aonline resource$$2rdacarrier
000745451 4901_ $$aOxford handbooks
000745451 504__ $$aIncludes bibliographical references and index.
000745451 5050_ $$aPART 1 The Pre-Digital Virtual -- "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd -- "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis -- Tom, Jerry and the Virtual Virtuoso / Sheila Whiteley -- Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver -- An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr -- PART 2 Vocaloids, Holograms and Virtual Pop Stars -- Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines -- Hatsune Miku and Japanese Virtual Idols /Rafal Zaborowski -- Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner -- "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran -- PART 3 Second Life -- Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey -- Performing Live in Second Life / Justin Gagen and Nicholas Cook -- Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience / Marco Antonio Chávez-Aguayo -- PART 4 Authorship, Creativity and Musicianship -- We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / Alon Ilsar and Charles Fairchild -- Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward -- Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Brøvig-Hanssen -- Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy -- Virtual Bands: Recording Music Under the Big Top / David Tough -- PART 5 Communities and the World-Wide-Web -- "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan -- The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett -- Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien -- Stone Tapes: Ghost Box, Nostalgia, and Post-War England / David Pattie -- From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer -- Bands in Virtual Spaces, Social Networking and Masculinity / Danijela Bogdanovic -- PART 6 Sonic Environments and Musical Experience -- From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett -- App Music / Jeremy Wade Morris -- Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitajärvi-Tiekso -- Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo -- Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan -- PART 7 Participatory Culture and Fundraising -- Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / Mark Thorley -- With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato -- Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin Williams and Ross Wilson -- PART 8 Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr -- PART 9 Glossary / Edited by Shara Rambarran -- Index.
000745451 506__ $$aAccess limited to authorized users.
000745451 588__ $$aDescription based on print version record.
000745451 650_0 $$aMusic and the Internet.
000745451 650_0 $$aMusic$$xComputer network resources.
000745451 7001_ $$aWhiteley, Sheila,$$d1941-$$eeditor.
000745451 7001_ $$aRambarran, Shara,$$eeditor.
000745451 77608 $$iPrint version:$$tOxford handbook of music and virtuality.$$dNew York : Oxford University Press$$z9780199321285$$w(DLC)  2015022089$$w(OCoLC)910993819
000745451 830_0 $$aOxford handbooks.
000745451 85280 $$bebk$$hOxford Handbooks Online
000745451 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199321285.001.0001$$zOnline Access
000745451 909CO $$ooai:library.usi.edu:745451$$pGLOBAL_SET
000745451 980__ $$aEBOOK
000745451 980__ $$aBIB
000745451 982__ $$aEbook
000745451 983__ $$aOnline