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000749168 020__ $$a9783110359534$$qelectronic book
000749168 035__ $$a(CaPaEBR)ebr11049547
000749168 040__ $$aCaPaEBR$$beng$$erda$$epn$$cCaPaEBR
000749168 05014 $$aPT851$$b.B68 2015eb
000749168 08204 $$a837/.009$$223
000749168 1001_ $$aBowles, Daniel James,$$d1981-$$eauthor.
000749168 24514 $$aThe ends of satire$$h[electronic resource] :$$blegacies of satire in postwar German writing /$$cDaniel Bowles.
000749168 264_1 $$aBerlin ;$$aBoston :$$bDe Gruyter,$$c[2015]
000749168 264_4 $$c©2015
000749168 300__ $$a1 online resource (239 pages).
000749168 336__ $$atext$$2rdacontent
000749168 337__ $$acomputer$$2rdamedia
000749168 338__ $$aonline resource$$2rdacarrier
000749168 4900_ $$aParadigms-- Literature and the human sciences ;$$vvolume 2
000749168 504__ $$aIncludes bibliographical references and index.
000749168 5050_ $$aAcknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire.
000749168 506__ $$aAccess limited to authorized users.
000749168 5202_ $$a"How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory." --$$cProvided by publisher.
000749168 588__ $$aDescription based on print version record.
000749168 650_0 $$aSatire, German$$xHistory and criticism.
000749168 650_0 $$aGerman literature$$y20th century$$xHistory and criticism.
000749168 77608 $$iPrint version:$$aBowles, Daniel James.$$tEnds of satire : legacies of satire in postwar German writing.$$dBerlin : De Gruyter, [2015]$$z9783110359350
000749168 852__ $$bebk
000749168 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=11049547$$zOnline Access
000749168 909CO $$ooai:library.usi.edu:749168$$pGLOBAL_SET
000749168 980__ $$aEBOOK
000749168 980__ $$aBIB
000749168 982__ $$aEbook
000749168 983__ $$aOnline