000751219 000__ 01154cam\a2200313\a\4500 000751219 001__ 751219 000751219 005__ 20210515114138.0 000751219 006__ m\\\\\o\\d\\\\\\\\ 000751219 007__ cr\cn\nnnunnun 000751219 008__ 130716s2013\\\\quc\\\\\ob\\\\001\0\eng\d 000751219 020__ $$z9780773541733 000751219 020__ $$a9780773588660$$qelectronic book 000751219 035__ $$a(CaPaEBR)ebr10728387 000751219 035__ $$a(OCoLC)838761109 000751219 040__ $$aCaPaEBR$$cCaPaEBR 000751219 05014 $$aPN2091.S6$$bO93 2013eb 000751219 08204 $$a792.024$$223 000751219 1001_ $$aOvadija, Mladen. 000751219 24510 $$aDramaturgy of sound in the avant-garde and postdramatic theatre$$h[electronic resource] /$$cMladen Ovadija. 000751219 260__ $$aMontreal :$$bMcGill-Queen's University Press,$$c2013. 000751219 300__ $$avii, 252 p. 000751219 504__ $$aIncludes bibliographical references and index. 000751219 506__ $$aAccess limited to authorized users. 000751219 650_0 $$aTheaters$$xSound effects. 000751219 650_0 $$aExperimental theater$$xHistory and criticism. 000751219 650_0 $$aAvant-garde (Aesthetics) 000751219 852__ $$bebk 000751219 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10728387$$zOnline Access 000751219 909CO $$ooai:library.usi.edu:751219$$pGLOBAL_SET 000751219 980__ $$aEBOOK 000751219 980__ $$aBIB 000751219 982__ $$aEbook 000751219 983__ $$aOnline