Linked e-resources
Details
Table of Contents
Preface; Contents; About the Editors; Contributors; About the Authors; Part IThe Knowing of Being Human; 1 Psychology as a Normative Science; Reasons and Causes, Actions and Behaviors; Bios and Zoe; Psychological Phenomena Are Being Done by Persons; Doing Grief and Patienthood; Doing Habitual Life; Normativity and Affordances; Doing Anger; Aboutness, Oughtness, and the Person; Psychological Phenomena Are Conversational; Three Conclusions; References; 2 Psychology as a Phenomenological Science; Historical Reconstruction of Psychology as a Phenomenological Science
Departing from the Phenomena: Gestalt TheoryIntrospection: The Würzburg School; The Point of Departure: From Brentano to Husserl; Worlds We Live and Persons We Encounter; Kurt Lewin's War Landscapes; Martha Muchow's Life Space of the Child; Life Space of the Urban Child (``der Lebensraum des Gro00DFstadtkindes''); Gustav Ichheiser's Image of the Other Man; The Image of the Other Man; Conclusion; References; 3 Cultural Psychology of Desire; The Dynamic of Sensemaking; Presentation; The World as Neg-Form; Constraints Make Possibilities; The Micro-Dynamic of Presentation
The Field Nature of the PresentationSemiotic Scenario; Desire as the Engine of Sensemaking; Bivalence of Meaning; The Performative Valence of Sensemaking; Desire as Pertinentization; Implications and Perspectives; References; 4 The Centrality of Aesthetics for Psychology: Sciences and Arts United Through Poetic Instants; Understanding Forms and Structures: The Multiplicity of Meaning in Gestalt; The Paradox of the Whole and the Almost Forgotten Notion of the ``Aestheticological''; An Aestheticological Approach to Form; The Aesthetic Experience of Poetic Instants
Metaphors for Verticality: The Tree and the HouseConclusions; Acknowledgments; References; 5 Memory and Creativity: Historical and Conceptual Intersections; Memory in Antiquity: From Divinities to Inscription; The Ancient and Medieval Art(S) of Memory; From Renaissance to (Late) Modernity: The Dawn of `Creativity'; Memory and Creativity in the Age of Reproduction; `Creative' Approaches to Memory in twentieth-Century Psychology; Creativity and Memory in Contemporary Psychology; Concluding Remarks; References; Part IIMarking Signs-Creating Ourselves:The Realities of Imagination
6 Affective Semiosis: Philosophical Links to Cultural PsychologyPeirce on Consciousness and Signs; Turning to Affective Semiosis: On Thresholds of Sense; Lessons from Langer; What Is Constantly Upsetting the Balance?; Conclusion; References; 7 The Self Rises Up from Lived Experiences: A Micro-Semiotic Analysis of the Unfolding of Trajectories of Experience When Performing Ethics; Self, Agency, and Ethics; Self-Consciousness Going to and fro Through the Looking Glass; Semiotics of Experience; Semiotic Mediation and Trajectories of Experience
Departing from the Phenomena: Gestalt TheoryIntrospection: The Würzburg School; The Point of Departure: From Brentano to Husserl; Worlds We Live and Persons We Encounter; Kurt Lewin's War Landscapes; Martha Muchow's Life Space of the Child; Life Space of the Urban Child (``der Lebensraum des Gro00DFstadtkindes''); Gustav Ichheiser's Image of the Other Man; The Image of the Other Man; Conclusion; References; 3 Cultural Psychology of Desire; The Dynamic of Sensemaking; Presentation; The World as Neg-Form; Constraints Make Possibilities; The Micro-Dynamic of Presentation
The Field Nature of the PresentationSemiotic Scenario; Desire as the Engine of Sensemaking; Bivalence of Meaning; The Performative Valence of Sensemaking; Desire as Pertinentization; Implications and Perspectives; References; 4 The Centrality of Aesthetics for Psychology: Sciences and Arts United Through Poetic Instants; Understanding Forms and Structures: The Multiplicity of Meaning in Gestalt; The Paradox of the Whole and the Almost Forgotten Notion of the ``Aestheticological''; An Aestheticological Approach to Form; The Aesthetic Experience of Poetic Instants
Metaphors for Verticality: The Tree and the HouseConclusions; Acknowledgments; References; 5 Memory and Creativity: Historical and Conceptual Intersections; Memory in Antiquity: From Divinities to Inscription; The Ancient and Medieval Art(S) of Memory; From Renaissance to (Late) Modernity: The Dawn of `Creativity'; Memory and Creativity in the Age of Reproduction; `Creative' Approaches to Memory in twentieth-Century Psychology; Creativity and Memory in Contemporary Psychology; Concluding Remarks; References; Part IIMarking Signs-Creating Ourselves:The Realities of Imagination
6 Affective Semiosis: Philosophical Links to Cultural PsychologyPeirce on Consciousness and Signs; Turning to Affective Semiosis: On Thresholds of Sense; Lessons from Langer; What Is Constantly Upsetting the Balance?; Conclusion; References; 7 The Self Rises Up from Lived Experiences: A Micro-Semiotic Analysis of the Unfolding of Trajectories of Experience When Performing Ethics; Self, Agency, and Ethics; Self-Consciousness Going to and fro Through the Looking Glass; Semiotics of Experience; Semiotic Mediation and Trajectories of Experience