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000752373 020__ $$a9781137467362$$q(electronic book)
000752373 020__ $$a1137467363$$q(electronic book)
000752373 020__ $$z9781349580255
000752373 020__ $$z1137467355
000752373 0247_ $$a10.1057/9781137467362$$2doi
000752373 035__ $$aSP(OCoLC)ocn927962227
000752373 035__ $$aSP(OCoLC)927962227
000752373 040__ $$aIDEBK$$beng$$epn$$cIDEBK$$dN$T$$dCDX$$dN$T$$dOCLCF$$dGW5XE$$dEBLCP$$dINU$$dOCLCQ$$dCOO
000752373 049__ $$aISEA
000752373 050_4 $$aPN3491
000752373 08204 $$a809.3$$223
000752373 1001_ $$aBarton, Simon$$c(Of University of Salford)
000752373 24510 $$aVisual devices in contemporary prose fiction$$h[electronic resource] :$$bgaps, gestures, images /$$cSimon Barton.
000752373 260__ $$aBasingstoke :$$bPalgrave Macmillan,$$c2015, ©2016.
000752373 300__ $$a1 online resource.
000752373 336__ $$atext$$btxt$$2rdacontent
000752373 337__ $$acomputer$$bc$$2rdamedia
000752373 338__ $$aonline resource$$bcr$$2rdacarrier
000752373 506__ $$aAccess limited to authorized users.
000752373 520__ $$aThis book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.
000752373 588__ $$aDescription based on print version record.
000752373 650_0 $$aFiction$$xHistory and criticism.
000752373 650_0 $$aVisual perception in literature.
000752373 650_0 $$aVisualization in literature.
000752373 77608 $$iPrint version:$$z9781349580255
000752373 852__ $$bebk
000752373 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/9781137467362$$zOnline Access$$91397441.1
000752373 909CO $$ooai:library.usi.edu:752373$$pGLOBAL_SET
000752373 980__ $$aEBOOK
000752373 980__ $$aBIB
000752373 982__ $$aEbook
000752373 983__ $$aOnline
000752373 994__ $$a92$$bISE