000753071 000__ 03624cam\a2200541Ii\4500 000753071 001__ 753071 000753071 005__ 20230306141537.0 000753071 006__ m\\\\\o\\d\\\\\\\\ 000753071 007__ cr\mn\nnnunnun 000753071 008__ 151127t20162016enka\\\\ob\\\\001\0\eng\d 000753071 019__ $$a927961163$$a930445714$$a948550768 000753071 020__ $$a9781137391292$$q(electronic book) 000753071 020__ $$a1137391294$$q(electronic book) 000753071 020__ $$z9781137391285$$q(hardback) 000753071 020__ $$z1137391286$$q(hardback) 000753071 020__ $$z9781349562206 000753071 0247_ $$a10.1057/9781137391292$$2doi 000753071 035__ $$aSP(OCoLC)ocn933334604 000753071 035__ $$aSP(OCoLC)933334604$$z(OCoLC)927961163$$z(OCoLC)930445714$$z(OCoLC)948550768 000753071 040__ $$aYDXCP$$beng$$erda$$cYDXCP$$dOCLCO$$dIDEBK$$dN$T$$dCDX$$dOCLCF$$dGW5XE$$dOSU$$dCOO$$dDKDLA 000753071 043__ $$ae-uk-en 000753071 049__ $$aISEA 000753071 050_4 $$aG155.G7$$bM44 2016eb 000753071 08204 $$a338.4/79142$$223 000753071 1001_ $$aMcEvoy, Emma,$$eauthor. 000753071 24510 $$aGothic tourism$$h[electronic resource] /$$cEmma McEvoy. 000753071 264_1 $$aHoundmills, Basingstoke, Hampshire ;$$aNew York, NY :$$bPalgrave Macmillan,$$c2016. 000753071 264_4 $$c©2016 000753071 300__ $$a1 online resource (xi, 251 pages) :$$billustrations 000753071 336__ $$atext$$btxt$$2rdacontent 000753071 337__ $$acomputer$$bc$$2rdamedia 000753071 338__ $$aonline resource$$bcr$$2rdacarrier 000753071 347__ $$atext file$$bPDF$$2rda 000753071 4901_ $$aPalgrave gothic 000753071 504__ $$aIncludes bibliographical references (pages 236-244) and index. 000753071 5050_ $$aIntroduction -- 1. Strawberry Hill: Performed Architecture, Houses of Fiction and the Gothic Aesthetic -- 2. Madame Tussaud's Chamber of Horrors: Wounded Spectators, Perverse Appetites and Gothic History -- 3. London's Gothic Tourism: West End Ghosts, Southwark Horrors and an Unheimlich Home -- 4. Ghost Walking -- 5. Becoming a Haunted Castle: Literature, Tourism and Folklore at Berry Pomeroy -- 6. A Tale of Three Castles: Gothic and Heritage Management -- 7. "Boo" to Taboo': Cultural Tourism and the Gothic -- Conclusion. 000753071 506__ $$aAccess limited to authorized users. 000753071 520__ $$a"From Strawberry Hill to The Dungeons, Alton Towers to Barnageddon, Gothic tourism is a fascinating, and sometimes controversial area. Looking at Fonthill Abbey, phantasmagoria shows, the Gothic design of 18th-century duchess, Elizabeth Percy, at Alnwick Castle, and the oeuvre of Horace Walpole, Gothic Tourism considers the origins of Gothic tourism, and Gothic itself as a touristic mode. It covers the Chamber of Horrors and looks at Madame Tussaud's, past and present, discussing waxworks as objects of horror and the uncanny, and the phenomenon of the Gothic museum. It also looks at the Berry Pomeroy Castle and considers the processes by which, over 230 years, the building acquired its haunted reputation. Ghost walks, prison museums, Severs' House, scare attractions, the Necrobus and a poison garden provide the opportunity to discuss Gothic tourism's relationships with literature, film, folklore, heritage management, arts programming, and the 'edutainment' business"--$$cProvided by publisher. 000753071 588__ $$aDescription based on print version record. 000753071 650_0 $$aHeritage tourism$$zEngland. 000753071 650_0 $$aHaunted places$$zEngland. 000753071 650_0 $$aArchitecture, Gothic$$zEngland. 000753071 77608 $$iPrint version:$$aMcEvoy, Emma.$$tGothic tourism.$$dHoundmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2016$$z9781137391285$$w(DLC) 2015018583$$w(OCoLC)932048339 000753071 830_0 $$aPalgrave gothic series. 000753071 852__ $$bebk 000753071 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/9781137391292$$zOnline Access$$91397441.1 000753071 909CO $$ooai:library.usi.edu:753071$$pGLOBAL_SET 000753071 980__ $$aEBOOK 000753071 980__ $$aBIB 000753071 982__ $$aEbook 000753071 983__ $$aOnline 000753071 994__ $$a92$$bISE