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Table of Contents
Advance praise for we can speak for ourselves; table of contents ; foreword ; preface ; foundation for this book ; rationale for this book ; audiences for this book
Acknowledgements about the cover artist ; chapter 1: introduction; research problem; positionality; significance and audience ; context; ssces and the journey of this project ; research questions; methods
BLACK FEMINIST THEORY MOTHERWORK; FORWARD ; NOTES ; CHAPTER 2: WHO SAYS WHAT ABOUT BLACK WOMEN: Review of Discourses; OUR FIRST STAGE: SCIENTIFIC DISCOURSE; GOVERNMENT DISCOURSE ; EDUCATION DISCOURSE ; MOTHERING DISCOURSE; CONTROLING IMAGES: MEDIA DISCOURSE
Legal interventions we speak ; notes ; chapter 3: methods; "i know who you are but ...": epistemology ; qualitative methods; ethical research; interviews ; coding ; narratives; poetry ; validity
RECIPROCITY REFLEXIVE JOURNAL; GIVING VOICE ; LIMITATIONS ; MAYA, NIKKI, CAROLYN, JILL, SONIA; NOTES ; CHAPTER 4: THE MOTHERS; MAYA ; NIKKI; CAROLYN ; JILL; SONIA; THE PRESENT OF PRESENCE: SUMMATION; NOTES ; CHAPTER 5: COMING TOGETHER: Analysis and Interpretations
Acknowledgements about the cover artist ; chapter 1: introduction; research problem; positionality; significance and audience ; context; ssces and the journey of this project ; research questions; methods
BLACK FEMINIST THEORY MOTHERWORK; FORWARD ; NOTES ; CHAPTER 2: WHO SAYS WHAT ABOUT BLACK WOMEN: Review of Discourses; OUR FIRST STAGE: SCIENTIFIC DISCOURSE; GOVERNMENT DISCOURSE ; EDUCATION DISCOURSE ; MOTHERING DISCOURSE; CONTROLING IMAGES: MEDIA DISCOURSE
Legal interventions we speak ; notes ; chapter 3: methods; "i know who you are but ...": epistemology ; qualitative methods; ethical research; interviews ; coding ; narratives; poetry ; validity
RECIPROCITY REFLEXIVE JOURNAL; GIVING VOICE ; LIMITATIONS ; MAYA, NIKKI, CAROLYN, JILL, SONIA; NOTES ; CHAPTER 4: THE MOTHERS; MAYA ; NIKKI; CAROLYN ; JILL; SONIA; THE PRESENT OF PRESENCE: SUMMATION; NOTES ; CHAPTER 5: COMING TOGETHER: Analysis and Interpretations