000753390 000__ 01587cam\a2200421Mi\4500 000753390 001__ 753390 000753390 005__ 20230306141555.0 000753390 006__ m\\\\\o\\d\\\\\\\\ 000753390 007__ cr\un\nnnunnun 000753390 008__ 151116s2016\\\\enka\\\\ob\\\\001\0\eng\d 000753390 019__ $$a932593235$$a949274160 000753390 020__ $$a9781137467058$$q(electronic book) 000753390 020__ $$a1137467053$$q(electronic book) 000753390 020__ $$z9781137468970 000753390 020__ $$z1137468971 000753390 035__ $$aSP(OCoLC)ocn935299402 000753390 035__ $$aSP(OCoLC)935299402$$z(OCoLC)932593235$$z(OCoLC)949274160 000753390 040__ $$aCNCGM$$beng$$erda$$epn$$cCNCGM$$dOCLCO$$dOCLCF$$dYDXCP$$dIDEBK$$dN$T$$dOCLCQ$$dN$T$$dOCLCQ 000753390 049__ $$aISEA 000753390 050_4 $$aML3790$$b.B98 2016eb 000753390 08204 $$a338.4778$$223 000753390 1001_ $$aByun, Chong Hyun Christie,$$eauthor. 000753390 24514 $$aThe economics of the popular music industry$$h[electronic resource] /$$cChong Hyun Christie Byun. 000753390 264_1 $$aBasingstoke, Hampshire ;$$aNew York, NY :$$bPalgrave Macmillan,$$c2016. 000753390 300__ $$a1 online resource (vii, 128 pages) :$$billustrations. 000753390 336__ $$atext$$btxt$$2rdacontent 000753390 337__ $$acomputer$$bc$$2rdamedia 000753390 338__ $$aonline resource$$bcr$$2rdacarrier 000753390 4901_ $$aPalgrave pivot 000753390 504__ $$aIncludes bibliographical references (pages 114-125) and index. 000753390 506__ $$aAccess limited to authorized users. 000753390 588__ $$aDescription based on print version record. 000753390 650_0 $$aMusic trade. 000753390 830_0 $$aPalgrave pivot. 000753390 852__ $$bebk 000753390 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/9781137467058$$zOnline Access$$91397441.1 000753390 909CO $$ooai:library.usi.edu:753390$$pGLOBAL_SET 000753390 980__ $$aEBOOK 000753390 980__ $$aBIB 000753390 982__ $$aEbook 000753390 983__ $$aOnline 000753390 994__ $$a92$$bISE