Introduction / Catherine Wynne
On the origins of the Gothic novel: from Old Norse to Otranto / Martin Arnold
Wollstonecraft's Wrongs of woman to Stoker's Dracula: you've come a long way baby, or have you? / Bettina Tate Pedersen
Stoker, Poe, and American Gothic in "The squaw" / Kevin Corstorphine
Bram Stoker and Gothic Transylvania / Marius-Mircea Criean
"Labours of their own": property, blood, and the Szgany in Dracula / Abby Bardi
Invasions real and imagined: Stoker's Gothic narratives / Carol A. Senf
"gay motes that people the sunbeams": dust, death and degeneration in Dracula / Victoria Samantha Dawson
The imprint of the mother: Bram Stoker's The squaw and The jewel of seven stars / Sara Williams
"Empire of the air": Ireland, aerial warfare and futurist Gothic / Luke Gibbons
Bram Stoker, Ellen Terry, Pamela Colman Smith and the art of devilry / Katharine Cockin
"Beyond hommy-beg": Hall Caine's place in Dracula / Richard Storer
The Du Mauriers and Stoker: Gothic transformations of Whitby and Cornwall / Catherine Wynne
The un-death of the author: the fictional afterlife of Bram Stoker / William Hughes
Gallants, ghosts, & gargoyles: illustrating the Gothic tale / Jef murray.