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000755277 019__ $$a949752348
000755277 020__ $$a9781137594754$$q(electronic book)
000755277 020__ $$a1137594756$$q(electronic book)
000755277 020__ $$z9781137594747
000755277 020__ $$z1137594748
000755277 035__ $$aSP(OCoLC)ocn949365355
000755277 035__ $$aSP(OCoLC)949365355$$z(OCoLC)949752348
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000755277 049__ $$aISEA
000755277 050_4 $$aPN2053
000755277 08204 $$a792.92$$223
000755277 1001_ $$aMalone, Toby,$$eauthor.
000755277 24510 $$aAdapting war horse$$h[electronic resource] :$$bcognition, the spectator, and a sense of play /$$cToby Malone, Christopher J. Jackman.
000755277 264_1 $$a[Houndmills, Basingstoke, Hampshire] :$$bPalgrave Macmillan,$$c[2016]
000755277 264_4 $$c©2016
000755277 300__ $$a1 online resource.
000755277 336__ $$atext$$btxt$$2rdacontent
000755277 337__ $$acomputer$$bc$$2rdamedia
000755277 338__ $$aonline resource$$bcr$$2rdacarrier
000755277 4901_ $$aPalgrave pivot
000755277 504__ $$aIncludes bibliographical references and index.
000755277 5050_ $$aIntroduction. Playing the War Horse Game.-Chapter 1. "We Get to Know Him" -- Chapter 2. "Making Fit" -- Chapter 3. Spectatorship as Embodied Practice -- Chapter 4. Animated Horse-Play -- Chapter 5. Emotional Promises -- Chapter 6. Tour Horse -- Works Cited.
000755277 506__ $$aAccess limited to authorized users.
000755277 520__ $$aThis book analyses the success and adaptation of Michael Morpurgo's novel War Horse to stage, radio, live events, and feature film, in different cultures, on tours, and in translation. In under a decade, War Horse has gone from obscure children's novel to arguably one of the world's most recognisable theatrical brands, thanks to innovative puppet designs from South Africa's Handspring Puppet Company in an acclaimed stage production from the National Theatre of Great Britain. With emphasis on embodied spectatorship, collaborative meaning-making, and imaginative 'play,' this book generates fresh insights into the enduring popularity of the franchise's eponymous protagonist, Joey, offering the most in-depth study of War Horse to date. Toby Malone is a graduate of the University of Toronto's Graduate Centre for Study of Drama, Theatre, and Performance Studies, and is currently a faculty member at the University of Waterloo, Canada. Previous publications include Shakespeare Survey, Literature/Film Quarterly, Canadian Theatre Review, Borrowers and Lenders and The Routledge Companion to Dramaturgy. Christopher J. Jackman is a graduate of the University of Toronto's Graduate Centre for Study of Drama, Theatre, and Performance Studies, and is an alumnus of Massey College, Canada. He is currently Chair of Arts and Design at Centennial College in Toronto, has developed Centennial's performing arts certificate programme, and remains an active director and performer. .
000755277 588__ $$aOnline resource; title from PDF title page (viewed May 16, 2016).
000755277 60010 $$aMorpurgo, Michael.$$tWar horse.
000755277 60010 $$aMorpurgo, Michael$$vAdaptations.
000755277 650_0 $$aTheater$$xProduction and direction.
000755277 650_0 $$aAnimals as represented on the stage.
000755277 7001_ $$aJackman, Christopher J.,$$eauthor.
000755277 77608 $$iPrint version:$$z1137594748$$z9781137594747$$w(OCoLC)934194885
000755277 830_0 $$aPalgrave pivot.
000755277 852__ $$bebk
000755277 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-59475-4$$zOnline Access$$91397441.1
000755277 909CO $$ooai:library.usi.edu:755277$$pGLOBAL_SET
000755277 980__ $$aEBOOK
000755277 980__ $$aBIB
000755277 982__ $$aEbook
000755277 983__ $$aOnline
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