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000756072 019__ $$a953142337
000756072 020__ $$a9781137592118$$q(electronic book)
000756072 020__ $$a1137592117$$q(electronic book)
000756072 020__ $$z9781137592101
000756072 0247_ $$a10.1057/978-1-137-59211-8$$2doi
000756072 035__ $$aSP(OCoLC)ocn952108654
000756072 035__ $$aSP(OCoLC)952108654$$z(OCoLC)953142337
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000756072 050_4 $$aE184.A1
000756072 08204 $$a305.800973$$223
000756072 1001_ $$aRiley, Shannon Rose,$$eauthor.
000756072 24510 $$aPerforming race and erasure$$h[electronic resource] :$$bCuba, Haiti, and US culture, 1898-1940 /$$cShannon Rose Riley.
000756072 264_1 $$aLondon :$$bPalgrave Macmillan,$$c2016.
000756072 300__ $$a1 online resource.
000756072 336__ $$atext$$btxt$$2rdacontent
000756072 337__ $$acomputer$$bc$$2rdamedia
000756072 338__ $$aonline resource$$bcr$$2rdacarrier
000756072 347__ $$atext file$$bPDF$$2rda
000756072 4901_ $$aPalgrave studies in theatre and performance history
000756072 504__ $$aIncludes bibliographical references and index.
000756072 5050_ $$aChapter 1. Cuba, Haiti, & the US -- Chapter 2. Imperial Scripts and Vaudeville Skits -- Chapter 3. Patriotic Performance Culture and Whiteness -- Chapter 4. Re-Racing the Nation -- Chapter 5. Military Occupation in Haiti -- Chapter 6. Staging the Haitian Revolution -- Chapter 7. Biracial Palimpsests -- Chapter 8.Palimpsest-Postscript -- Bibliography.
000756072 506__ $$aAccess limited to authorized users.
000756072 520__ $$aIn this book, Shannon Rose Riley provides a critically rich investigation of representations of Cuba and Haiti in US culture in order to analyze their significance not only to the emergence of empire but especially to the reconfiguration of US racial structures along increasingly biracial lines. Based on impressive research and with extensive analysis of various textual and performance forms including a largely unique set of skits, plays, songs, cultural performances and other popular amusements, Riley shows that Cuba and Haiti were particularly meaningful to the ways that people in the US re-imagined themselves as black or white and that racial positions were renegotiated through what she calls acts of palimpsest: marking and unmarking, racing and erasing difference. Riley's book demands a reassessment of the importance of the occupations of Cuba and Haiti to US culture, challenging conventional understandings of performance, empire, and race at the turn of the twentieth century.
000756072 588__ $$aOnline resource, title from PDF title page (viewed on August 3, 2016).
000756072 651_0 $$aUnited States$$xRace relations$$xPolitical aspects.
000756072 651_0 $$aCuba$$xRace relations$$xPolitical aspects.
000756072 651_0 $$aHaiti$$xRace relations$$xPolitical aspects.
000756072 651_0 $$aUnited States$$xForeign relations$$zCuba$$xHistory.
000756072 651_0 $$aUnited States$$xForeign relations$$zHaiti$$xHistory.
000756072 651_0 $$aCuba$$xForeign relations$$zUnited States$$xHistory.
000756072 651_0 $$aHaiti$$xForeign relations$$zUnited States$$xHistory.
000756072 77608 $$iPrint version:$$z9781137592101
000756072 830_0 $$aPalgrave studies in theatre and performance history.
000756072 852__ $$bebk
000756072 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-59211-8$$zOnline Access$$91397441.1
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000756072 980__ $$aBIB
000756072 982__ $$aEbook
000756072 983__ $$aOnline
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