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000756743 020__ $$a9780191787614$$q(electronic book)
000756743 0247_ $$a10.1093/acprof:oso/9780198718291$$2doi
000756743 035__ $$a(StDuBDS)EDZ0001323389
000756743 035__ $$a756743
000756743 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000756743 050_4 $$aPA6664.Z6$$bK73 2016eb
000756743 08204 $$a872.01$$223
000756743 1001_ $$aKragelund, Patrick,$$eauthor.
000756743 24510 $$aRoman historical drama$$h[electronic resource] :$$bthe Octavia in antiquity and beyond /$$cPatrick Kragelund.
000756743 250__ $$aFirst edition.
000756743 264_1 $$aOxford :$$bOxford University Press,$$c2016.
000756743 264_4 $$c©2016
000756743 300__ $$a1 online resource (xiv, 475 pages) :$$billustrations
000756743 336__ $$atext$$2rdacontent
000756743 336__ $$astill image$$2rdacontent
000756743 337__ $$acomputer$$2rdamedia
000756743 338__ $$aonline resource$$2rdacarrier
000756743 504__ $$aIncludes bibliographical references and index.
000756743 50500 $$gpt. I.$$tTRADITION --$$g1.$$tRecovering a lost genre --$$g2.$$tRepublican flourishing and imperial decline? --$$g3.$$tGenre and its Uses --$$g1.$$tRituals and origins --$$g2.$$tDays of remembrance --$$g4.$$tAccius --$$g1.$$tBrutus --$$g2.$$tDecius or `Defeating the Gauls' --$$g5.$$tRomans fighting Romans --$$g1.$$tPartisan stagings --$$g2.$$tPharsalos -- seen from Cadiz --$$g3.$$tSpain, Caesar, and Pompey --$$g6.$$tStages old and new --$$g1.$$tStaging and recitation --$$g2.$$tFun (and shame) in acting --$$g3.$$tUpper class anxieties --$$g4.$$tTragedy on the Roman stage, from Nero to Trajan --$$g5.$$tEmperor-actor --$$g6.$$tImperial stage --$$g7.$$tImperial Praetextae --$$g1.$$tAeneas by Pomponius Secundus --$$g2.$$tPersius' essay --$$g3.$$tTacitus and Maternus --$$g4.$$tCato the Younger --$$g5.$$tMaternus' Cato --$$g6.$$tfate of Maternus --$$g7.$$tMaternus' Nero: date and context --$$gpt. II.$$tOCTAVIA --$$g8.$$tPraetexta? --$$g1.$$tGenre continuity? --$$g2.$$tTraditional aspects --$$g3.$$tPlots and structures --$$g9.$$tTime and place --$$g1.$$tAnonymus --$$g2.$$tImplied settings --$$g3.$$tDramatic time --$$g4.$$tDramatic place --$$g10.$$tPlot and historical background --$$g1.$$tTragedy has three parts' --$$g2.$$tHistorical background: parallels and contrasts --$$g3.$$tImplied geography --$$g4.$$tAdjusting and reshaping tradition --$$g11.$$tOctavia and the people --$$g1.$$tNurse and empress --$$g2.$$tCursed chamber --$$g3.$$tcurse --$$g4.$$tFirst song of the Chorus Romanorum --$$g12.$$tSeneca and Nero --$$g1.$$tSeneca's monologue --$$g2.$$tSeneca-Nero: the first part of the dialogue --$$g3.$$tSeneca-Nero: the final part of the dialogue --$$g13.$$tGhost, the divorce, and the wedding --$$g1.$$tStaging ghosts --$$g2.$$tGhost come real --$$g3.$$tNew beginning --$$g4.$$tExit Octavia --$$g5.$$tSecond song of the Chorus Romanorum --$$g14.$$tWhat Poppaea saw --$$g1.$$tEmpress joins nurse --$$g2.$$tExit Poppaea --$$g3.$$tProphecy fitting the facts --$$g15.$$tRevolt, the fire, and the ship of death --$$g1.$$tChorus of courtiers and messenger --$$g2.$$tNero and the fire of Rome --$$g3.$$tPrefect and Nero --$$g4.$$tThird song of the Chorus Romanorum --$$g5.$$tOctavia triumphant --$$g16.$$tTime of Writing --$$g1.$$tLooking for termini post --$$g2.$$tDate soon after Nero's fall? --$$g3.$$tpopulus Romanus Against Nero --$$g4.$$tRoma Renascens --$$g5.$$tTrue clementia --$$g6.$$t`Nero forced me' --$$g7.$$tNero unmasked --$$gpt. III.$$tAFTERLIFE --$$g17.$$tTragic Pasts --$$g1.$$tPrologue --$$g2.$$tGreek or Greco-Roman revival? --$$g3.$$tOctavia, Trissino, and Rucellai: the beginnings of vernacular tragedy --$$g4.$$tFrom poetics to staging: Giraldi, Speroni, and Dolce --$$g5.$$tTasso's Torrismondo --$$g6.$$tMary Stuart goes on stage --$$g7.$$tOctavia goes abroad: France, Portugal, Spain, and England --$$g8.$$tOctavia goes to the opera --$$g9.$$tEnvoi.
000756743 506__ $$aAccess limited to authorized users.
000756743 5208_ $$aThis title provides a comprehensive interpretation of ancient historical drama in relation to the 'Octavia', revealing how the play mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage.
000756743 588__ $$aDescription based on print version record.
000756743 60010 $$aSeneca, Lucius Annaeus,$$dapproximately 4 B.C.-65 A.D.$$xInfluence.
000756743 63000 $$aOctavia (Praetexta)
000756743 650_0 $$aHistorical drama, Latin$$xHistory and criticism.
000756743 650_0 $$aLatin drama (Tragedy)$$xHistory and criticism.
000756743 650_0 $$aTheater$$zRome.
000756743 77608 $$iPrint version:$$aKragelund, Patrick.$$tRoman historical drama.$$dOxford : Oxford University Press, 2016$$z9780198718291$$w(OCoLC)  934038801
000756743 85280 $$bebk$$hOxford Scholarship Online
000756743 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198718291.001.0001$$zOnline Access
000756743 909CO $$ooai:library.usi.edu:756743$$pGLOBAL_SET
000756743 980__ $$aEBOOK
000756743 980__ $$aBIB
000756743 982__ $$aEbook
000756743 983__ $$aOnline