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000756953 020__ $$a9780190277574$$q(electronic book)
000756953 0247_ $$a10.1093/acprof:oso/9780190277543$$2doi
000756953 035__ $$a(StDuBDS)EDZ0001358031
000756953 035__ $$a756953
000756953 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000756953 050_4 $$aPN1998.3.B3748$$bW38 2016eb
000756953 08204 $$a791.43092$$223
000756953 1001_ $$aWatts, Philip,$$d1961-2013$$eauthor.
000756953 24510 $$aRoland Barthes' cinema$$h[electronic resource] /$$cPhilip Watts ; manuscript edited from the author's unfinished chapters, Dudley Andrew [and three others].
000756953 264_1 $$aNew York, NY :$$bOxford University Press,$$c2016.
000756953 300__ $$a1 online resource (xxviii, 185 pages)
000756953 336__ $$atext$$2rdacontent
000756953 337__ $$acomputer$$2rdamedia
000756953 338__ $$aonline resource$$2rdacarrier
000756953 504__ $$aIncludes bibliographical references and index.
000756953 5050_ $$aEditor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair --  A Cold War cinema -- Demystification, 1957 "The face of Garbo" -- Rrefresh the perception of the world. "On cinemascope"; Barthes and the New Wave -- Barthes and Bazin. Lost continent; From ontology to rhetoric and back; Camera Lucida -- Another revolution. The fetishist; Eisenstein, 1970; Coda: From leftocracy to affect and intimacy -- Leaving the movie theater. The science of filmology; Apparatus theory; The aestheticization of the World; A long conversation with Christian Metz; Leaving theory -- The melodramatic imagination. The Brontë sisters; The New Wave's melodramatic turn -- Michel Foucault's melodramatic imagination; Barthes and Foucault -- Barthes and Truffaut:  Melodramatic photography; Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Nine texts on the cinema by Roland Barthes: Angels of sin (Les anges du péché, 1943) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left -- On left wing criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre (Strangers of the Earth, Mario Ruspoli, 1961) -- Answer to a Question about James Bond -- Sade -- Pasolini  --  Notes -- Bibliography -- Index.
000756953 506__ $$aAccess limited to authorized users.
000756953 5208_ $$a'Roland Barthes' Cinema' re-examines and recontextualizes the competing critical and theoretical strands in Barthes's thinking, and reassesses the relevance of his work for a new generation of readers and filmgoers.
000756953 588__ $$aDescription based on print version record.
000756953 60010 $$aBarthes, Roland$$xCriticism and interpretation.
000756953 650_0 $$aMotion pictures$$xPhilosophy.
000756953 7001_ $$aAndrew, Dudley,$$d1945-$$eeditor.
000756953 7001_ $$aBarthes, Roland.$$tEssays.$$kSelections.$$lEnglish.
000756953 77608 $$iPrint version:$$aWatts, Philip, 1961-$$tRoland Barthes' cinema.$$dNew York : Oxford University Press, 2016$$z9780190277543$$w(DLC)   2015037603$$w(OCoLC)925355106
000756953 85280 $$bebk$$hOxford Scholarship Online
000756953 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780190277543.001.0001$$zOnline Access
000756953 909CO $$ooai:library.usi.edu:756953$$pGLOBAL_SET
000756953 980__ $$aEBOOK
000756953 980__ $$aBIB
000756953 982__ $$aEbook
000756953 983__ $$aOnline