Why was the Globe round? / Andrew Gurr
Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh
Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon
If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl
Mimetic hearing and meta-hearing in Hamlet / David Bevington
Hearing and overhearing in The tempest / David Bevington
Asides and multiple audiences in The merchant of Venice / Anthony Burton
And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith
Hearing power in Measure for measure / Bernice W. Kliman
Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill
Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard
Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill
But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.