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000759680 020__ $$z9781846381584 paperback
000759680 020__ $$z1846381584 paperback
000759680 020__ $$a9781846381614$$q(electronic book)
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000759680 1001_ $$aAnton, Saul,$$eauthor.
000759680 24510 $$aLee Friedlander$$h[electronic resource] :$$bThe Little Screens /$$cSaul Anton.
000759680 24630 $$aLittle screens
000759680 264_1 $$aLondon :$$bAfterall Books,$$c2015.
000759680 264_2 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[date of distribution not identified]
000759680 300__ $$a1 online resource (97 pages) :$$billustrations.
000759680 336__ $$atext$$2rdacontent
000759680 337__ $$acomputer$$2rdamedia
000759680 338__ $$aonline resource$$2rdacarrier
000759680 4901_ $$aOne work
000759680 500__ $$aIncludes a facsimile reproduction of The little screens : a photographic essay / by Lee Friedlander ; with a comment by Walker Evans, as printed in Harper's bazaar, February 1963 (pages 8-11).
000759680 504__ $$aIncludes bibliographical references.
000759680 506__ $$aAccess limited to authorized users.
000759680 5208_ $$aLee Friedlander's 'The Little Screens' first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's 'The Americans', 'The Little Screens' grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco. Friedlander (b. 1934) is known for his use of surfaces and reflections--from storefront windows to landscapes viewed through car windshields -- to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium. In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture.
000759680 588__ $$aDescription based on print version record.
000759680 60010 $$aFriedlander, Lee.$$tLittle screens.
000759680 60010 $$aFriedlander, Lee$$xCriticism and interpretation.
000759680 650_0 $$aPhotography, Artistic.
000759680 7001_ $$aFriedlander, Lee,$$eauthor.
000759680 77608 $$iPrint version:$$aAnton, Saul.$$tLee Friedlander : The Little Screens.$$dLondon : Afterall Books, 2015$$z9781846381584$$w(OCoLC)917377218
000759680 830_0 $$aOne work.
000759680 852__ $$bebk
000759680 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=11206788$$zOnline Access
000759680 909CO $$ooai:library.usi.edu:759680$$pGLOBAL_SET
000759680 980__ $$aEBOOK
000759680 980__ $$aBIB
000759680 982__ $$aEbook
000759680 983__ $$aOnline