Beckett At the Gate / Julie Bates
Defining Performers and Performances / Nicholas Grene
Directors and Designers Since 1960 / Ian Walsh
Design and Direction To 1960 / Paige Reynolds
From Druid/Murphy to DruidMurphy / Shelley Troupe
'Feast and Celebration' / Patrick Lonergan
Brian Friel and Field Day / Marilynn Richtarik
Global Beckett / Rónán McDonald
Imagining the Rising / Nicholas Allen
Irish Acting in the Early Twentieth Century / Adrian Frazier
Drama since the 1990s / Emilie Pine
Irish Drama since the 1990s / Clare Wallace
Irish Theatre in Britain / James Moran
Irish Theatre in Europe / Ondřej Pilný
Irish Theatre and the United States / John Harrington
Thomas Kilroy and the Idea of a Theatre / José Lanters
Theatre and Activism 1900-1916 / P.J. Mathews
The Little Theatres of the 1950s / Lionel Pilkington
Modernism and Irish Theatre 1900-1940 / Richard Cave
Brian Friel and Tom Murphy / Anthony Roche
Negotiating Differences in the Plays of Frank McGuinness / Helen Heusner Lojek
'As We Must' / Victor Merriman
From Troubles To Post-Conflict Theatre in Northern Ireland / Mark Phelan
O'Casey and the City / Christopher Murray
Places of Performance / Chris Morash
Irish Theatre Devised / Brian Singleton
'We Were Very Young and We Shrank From Nothing' / Shaun Richards
Missing Links / Brad Kent
The Riot of Spring / Mary Burke
The Abbey and the Idea of a Theatre / Ben Levitas
The Inheritance of Melodrama / Stephen Watt
The Abbey Theatre and the Irish State / Lauren Arrington
Irish Theatre and Historiography / Eamonn Jordan
Twisting in the Wind / Brian O'Conchubhair
Reinscribing the Classics, Ancient and Modern / Christina Hunt Mahony
Urban and Rural Theatre Cultures / Lisa Coen
The Importance of Staging Oscar / Eibhear Walshe
Oscar Wilde / Michael McAteer
Women and Irish Theatre Before 1960 / Cathy Leeney
Shadow and Substance / Melissa Sihra
W. B. Yeats and Rituals of Performance / Terence Brown.